Leseprobe
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Quentin Tarantino
David Roche
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University Press of Mississippi 
Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
Quentin Tarantino’s films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification.
Covering all eight of Quentin Tarantino’s films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films’ poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).
Roche sets Tarantino’s films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films’ engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.
Kundenbewertungen
jay-z, indiana jones, Popular Culture, dawn of the dead, i got a name, bobby womack, Film Studies, fort massacre, jfk, ironside, flower of change, the deer hunter, die hard, hogan's heroes, bonnie and clyde, glory, 12 years a slave, hang 'em high, robert de niro, charlie's angels, iron man 2, gone in 60 seconds, intertextuality