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Black Feelings

Race and Affect in the Long Sixties

Lisa M. Corrigan

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University Press of Mississippi img Link Publisher

Geisteswissenschaften, Kunst, Musik / Pädagogik

Beschreibung

Honorable Mention Recipient of the 2021 Marie Hochmuth Nichols Award for Outstanding Scholarship in Public Address by the National Communication Association

In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published “We Are Our Feeling: The Black Aesthetic.” Baraka’s emphasis on the importance of feelings in Black selfhood expressed a touchstone for how the Black liberation movement grappled with emotions in response to the politics and racial violence of the era.

In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely Black pessimism, to resist the constant physical violence against Black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of Black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping midcentury discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America.

By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling Black feelings in the service of Black political action, Corrigan traces how Black liberation activists mobilized new emotional repertoires

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Schlagwörter

powederkeg, white anxiety, white statism, Audacity of Hope, Arthur Schlesinger, urban rebellion, Antiblackness, contempt, emotion, Watts riots, expression, trauma, revolutionary suicide, activism, white fragility, 1960s, riots, Achille Mbembe, beloved community, post-racialism, John Kennedy, social movements, black man, arts, Kennedy administration, black politics, violence, Jesse Jackson, racial liberalism, Negritude, Norman Mailer, Southern Christian Leadership Conference, shame, War on Crime, pride, Malcolm X, Report of the National Advisory Commission on Civil Rights, Huey Newton, Martin Luther King, Jr., negro digest, protest, assassination, SCLC, Civil Rights Act of 1964, aesthetic, literature, selfhood, War on Poverty, white feelings, political equality, hopelessness, chronopolitics, 1967 DC Crime Bill, Detroit riots, law and order, movement, post-racial, Obama coalition, police brutality, rage, Black Power, long sixties, eulogy, power, Age of Obama, Afro-pessimism, affect, National Advisory Commission on Civil Rights, masculinity, amiri baraka, 1968 Civil Rights Bill, culture, Obama, Black Arts Movement, feeling black, civil rights, cruel optimism, panthers, American Negritude, rhetoric, gender, back woman, modern slavery, Washington DC riots, Riot Report, black rhetors, Identity, necromimesis, history, post-war feelings, liberation