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Marginalized

Southern Women Playwrights Confront Race, Region, and Gender

Casey Kayser

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University Press of Mississippi img Link Publisher

Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

Winner of the 2021 Eudora Welty Prize

In contrast to other literary genres, drama has received little attention in southern studies, and women playwrights in general receive less recognition than their male counterparts. In Marginalized: Southern Women Playwrights Confront Race, Region, and Gender, author Casey Kayser addresses these gaps by examining the work of southern women playwrights, making the argument that representations of the American South on stage are complicated by difficulties of identity, genre, and region.

Through analysis of the dramatic texts, the rhetoric of reviews of productions, as well as what the playwrights themselves have said about their plays and productions, Kayser delineates these challenges and argues that playwrights draw on various conscious strategies in response. These strategies, evident in the work of such playwrights as Pearl Cleage, Sandra Deer, Lillian Hellman, Beth Henley, Marsha Norman, and Shay Youngblood, provide them with the opportunity to lead audiences to reconsider monolithic understandings of northern and southern regions and, ultimately, create new visions of the South.

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Casey Kayser

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Schlagwörter

southern drama, Sharon Bridgforth, Paula Vogel, Shay Youngblood, Marsha Norman, Pearl Cleage, geopathology, Beth Henley, women’s drama, American South, Sandra Deer, Lillian Hellman, modern drama, Elizabeth Dewberry, feminist drama