img Leseprobe Leseprobe

Black Bodies in the River

Searching for Freedom Summer

Davis W. Houck

PDF
ca. 27,99
Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop Kulturkaufhaus ebooks-center.de
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

University Press of Mississippi img Link Publisher

Geisteswissenschaften, Kunst, Musik / Sprach- und Literaturwissenschaft

Beschreibung

Nearly sixty years after Freedom Summer, its events—especially the lynching of Andrew Goodman, James Chaney, and Mickey Schwerner—stand out as a critical episode of the civil rights movement. The infamous deaths of these activists dominate not just the history but also the public memory of the Mississippi Summer Project.

Beginning in the late 1970s, however, movement veterans challenged this central narrative with the shocking claim that during the search for Goodman, Chaney, and Schwerner, the FBI and other law enforcement personnel discovered many unidentified Black bodies in Mississippi’s swamps, rivers, and bayous. This claim has evolved in subsequent years as activists, journalists, filmmakers, and scholars have continued to repeat it, and the number of supposed Black bodies—never identified—has grown from five to more than two dozen.

In Black Bodies in the River: Searching for Freedom Summer, author Davis W. Houck sets out to answer two questions: Were Black bodies discovered that summer? And why has the shocking claim only grown in the past several decades—despite evidence to the contrary? In other words, what rhetorical work does the Black bodies claim do, and with what audiences?

Houck’s story begins in the murky backwaters of the Mississippi River and the discovery of the bodies of Henry Dee and Charles Moore, murdered on May 2, 1964, by the Ku Klux Klan. He pivots next to the Council of Federated Organization’s voter registration efforts in Mississippi leading up to Freedom Summer. He considers the extent to which violence generally and expectations about interracial violence, in particular, serve as a critical context for the strategy and rhetoric of the Summer Project.

Houck then interrogates the unnamed-Black-bodies claim from a historical and rhetorical perspective, illustrating that the historicity of the bodies in question is perhaps less the point than the critique of who we remember from that summer and how we remember them. Houck examines how different memory texts—filmic, landscape, presidential speech, and museums—function both to bolster and question the centrality of murdered white men in the legacy of Freedom Summer.

Weitere Titel von diesem Autor
Weitere Titel in dieser Kategorie
Cover Facet Analysis
Vanda Broughton
Cover Fachübersetzen
Michaela Chiaki Ripplinger
Cover A Winter Dictionary
Paul Anthony Jones
Cover Digital Humanities
Sally Chambers
Cover Writing Juárez
Tobias A. Jochum
Cover Writing Juárez
Tobias A. Jochum
Cover Mother Tongue Tied
Malwina Gudowska

Kundenbewertungen

Schlagwörter

James Chaney, Public Memory, Civil Rights Movement, KKK, FBI investigation, Freedom Vote, Andrew Goodman, Memory, Mickey Schwerner, Goodman-Schwerner-Chaney, Robert Moses, Mississippi Summer Project, Ku Klux Klan, Neshoba County, lynching