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In Their Own Words

Forgotten Women Pilots of Early Aviation

Fred Erisman

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Geisteswissenschaften, Kunst, Musik / Psychologie

Beschreibung

Amelia Earhart’s prominence in American aviation during the 1930s obscures a crucial point: she was but one of a closely knit community of women pilots. Although the women were well known in the profession and widely publicized in the press at the time, they are largely overlooked today. Like Earhart, they wrote extensively about aviation and women’s causes, producing an absorbing record of the life of women fliers during the emergence and peak of the Golden Age of Aviation (1925–1940). Earhart and her contemporaries, however, were only the most recent in a long line of women pilots whose activities reached back to the earliest days of aviation. These women, too, wrote about aviation, speaking out for new and progressive technology and its potential for the advancement of the status of women. With those of their more recent counterparts, their writings form a long, sustained text that documents the maturation of the airplane, aviation, and women’s growing desire for equality in American society.

In Their Own Words takes up the writings of eight women pilots as evidence of the ties between the growth of American aviation and the changing role of women. Harriet Quimby (1875–1912), Ruth Law (1887–1970), and the sisters Katherine and Marjorie Stinson (1893–1977; 1896–1975) came to prominence in the years between the Wright brothers and World War I. Earhart (1897–1937), Louise Thaden (1905–1979), and Ruth Nichols (1901–1960) were the voices of women in aviation during the Golden Age of Aviation. Anne Morrow Lindbergh (1906–2001), the only one of the eight who legitimately can be called an artist, bridges the time from her husband’s 1927 flight through the World War II years and the coming of the Space Age. Each of them confronts issues relating to the developing technology and possibilities of aviation. Each speaks to the importance of assimilating aviation into daily life. Each details the part that women might—and should—play in advancing aviation. Each talks about how aviation may enhance women’s participation in contemporary American society, making their works significant documents in the history of American culture.

Rezensionen

<i>In Their Own Words</i> will appeal to pilots and non-pilots alike. Many readers may be familiar with the exploits of male pilots during the barnstorming and air racing era of the 1910s, ’20s, and ’30s. Fred Erisman introduces his readers to the dynamic women who also flew—and conveyed their experiences to the reading public, particularly to other women. Erisman offers a fresh take on the lives and writing of six women pilots you may know and others you will want to meet. Drawing on years of research in primary source archives and close reading of the women’s writing, Erisman offers a compelling digest. Reading <i>In Their Own Words</i> feels like taking a tour of the world of women’s aviation with a particularly knowledgeable and insightful guide.” — <b>Margaret Weitekamp</b>, author of <i>Right Stuff, Wrong Sex: America’s First Women in Space Program</i>
"
— <b>Molly Merryman</b>, author of <i>Clipped Wings: The Rise and Fall of the Women Airforce Service Pilots (WASPs) of World War II</i>
" <i>In Their Own Words</i>&#xa0;makes a valuable contribution to American studies. Through focusing specifically on published writings of women pilots who flew in the first decades of flight, Erisman offers a unique perspective on the cultural reaction and societal resistance to women aviators. This work brings to life women pilots who have been forgotten and brings new life to more famous aviators, such as Amelia Earhart. It is a captivating read."
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Schlagwörter

airplane, technology, flight, Louise Thaden, Ruth Law, Katherine Stinson, Ruth Nichols, planes, aviation, women, Wright brothers, Marjorie Stinson, pilot, Amelia Earhart, Harriet Quimby, Anne Morrow Lindbergh