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Snake IV

Original Grace

Gary Lemons

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Red Hen Press img Link Publisher

Belletristik / Lyrik, Dramatik

Beschreibung

Original Grace is the last book in the Snake Quartet. In it, the journey from destruction leads through the darkened rooms of an enormous house where occasionally outside the windows creatures past, present, and future appear—asking for help or solace or trying to break the glass to get in. But the house is made of poetry and is unassailable unlike those who live in it.
By this time, Snake has undergone the transformations from sole survivor into the mythic voice of the collective with all their throats open and in full song. She has undergone the movement from original gender into all genders. The rough linguistic artifacts left from the first book—the dialects and fogginess she experienced living both in and out of a dream—slowly become more coherent as she learns to filter the collective voices back into her personal speech. Original Grace is not just the end of what was but the beginning of what comes next. The sun has gone down. The long wait for a new sunrise is nearly over.

Rezensionen

s messenger. I love these insurrections of mind. Taken as one book or as a whole the Snake Quartet is a relevant and signal accomplishment.&#xa0; Praise no blame!<strong>—Norman Dubie, author of <em>Quotations of Bone</em></strong></p>
<p>“We are here only right now— / Trembling in each other’s arms.” Part cautionary tale, part eulogy, <em>Original Grace</em>, the extraordinary conclusion to Gary Lemons’ post-apocalyptic Snake Quartet, careens along a devastating trajectory, land-mined with portent and longing. And yet, these astonishing poems are not without hope. “Maybe it’s not courage / But duty that requires plants to / Stare at the sun until / They’re blind enough to bloom.” These are poems of witness by an evolved saint/sinner, the awakened inheritor of Berryman’s brilliance, navigating a dystopian future.<br><strong>—Alexis Rhone Fancher, author of <em>The Dead Kid Poems</em>, poetry editor, Cultural Weekly.</strong></p> <p>In&#xa0;<em>Original Grace</em>, the amazing conclusion to the <em>Snake</em> Quartet, Gary Lemons has found a deep syntactical pulse in the language that mixes witnessing with hallucination—arching across this series of books, I have to observe that the imagination working here is not only compassionate but weeps for us all. And yet the passage through imagination lifts us in just the way Blake intended when he took a large rake to the King'
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Schlagwörter

Apocalyptic Poetry, Snake Quartet, Caring for the Planet, Non-Dualism, Political Poetry, Writing New Mythologies, New Epic Poetry, Wildlife Preservation, Climate Change, Poetry of Personal Responsibility, New Mythos, Ecological Justice, Ecological Importance of Poetry, Modern Mythology, Climate and the Planet, Modern Epic Poetry, Environmental Impact, Voices for Animals, Buddhism, Poetry at the End of the World, Poetry for Change, Native American Myth, Climate Science, End of Times Poetry, Sacred Text, Climate Catastrophe, Snake as Myth, Snake