Vonnegut in Fact

The Public Spokesmanship of Personal Fiction

Jerome Klinkowitz

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University of South Carolina Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft

Beschreibung

Insights into Vonnegut's extensive nonfiction as a key to understanding innovation in his novels

Vonnegut in Fact offers a thorough assessment of the artistry of Kurt Vonnegut, known not only as the best-selling author of Slaughterhouse-Five, Timequake, and a dozen other novels, but also as the most widely recognized public spokesperson among writers since Mark Twain. Jerome Klinkowitz traces the emergence of Vonnegut's nonfiction since the 1960s, when commentary and feature journalism replaced the rapidly dying short story market.

Offering close readings and insightful criticism of Vonnegut's three major works of nonfiction, his many uncollected pieces, and his unique manner of public speaking, Klinkowitz explains how Vonnegut's personal visions developed into a style of great public responsibility that mirrored the growth of his fiction. Klinkowitz views his subject as a gentle manipulator of popular forms and an extremely personable figure; what might seem radically innovative and even iconoclastic in his fiction becomes comfortably avuncular and familiarly American when followed to its roots in his public spokesmanship.

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Schlagwörter

Carl Sagan, Mort Sahl, Bernard Vonnegut, Mark Twain, Joseph Heller, James Thurber, Abbie Hoffman, E. M. Forster, P. T. Barnum, Hermann Hesse, Tom Wolfe, William Styron, V., Harry Houdini, Irwin Shaw, Kurt Vonnegut, Charles M. Schulz, Ray Bradbury, Slaughterhouse-Five, Donald Barthelme