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Celestial Hellscapes

Cosmology as the Key to the Strugatskiis’ Science Fictions

Kevin Reese

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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

Neither Arkadii nor Boris Strugatskii had originally intended to make a living in writing. Arkadii dreamed of becoming an astronomer, but his wartime experience and training led him to work as a translator and editor of Japanese literature. Boris intended to become a physicist, trained as an astronomer, and ended up as a computer specialist at Pulkovo Observatory. This common thread of astronomy turns out to be fantastically important for understanding their works, as their most important ones are experiments in cosmology, and their shared expertise is instrumental in their construction of literary hellscapes. This book explores how the Strugatskiis’ cosmological explorations are among the most fundamental elements of their art. It examines also how these explorations connect to their predecessors in the Russian literary tradition—particularly to the poetry of Pushkin.

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Schlagwörter

Soviet literature, Russian authors, The Doomed City, Literary studies, twentieth century literature, Cosmology, Soviet authors, Boris Strugatskii, A Billion Years Until the End of the World, Russian science fiction, Roadside Picnic, The Stalker, Strugatsky brothers, Boris Strugatsky, Aleksandr Pushkin, Arkady and Boris Strugatsky, twentieth-century literature, Andrei Tarkovsky, Strugatsky, Strugatskii brothers, The Zone, Arkady Strugatsky, Astronomy, Svoiet art, Russian literature, Those Burdened by Evil, The Yids of the City of Peter, Post-WWII Soviet literature, Science fiction, comparative literature, The Inhabited Island, Arkady Strugatskii, Soviet science fiction, Strugatskii, Soviet Union literature, postmodern literature, The Second Martian Invasion, 20th century literature, postmodernism