* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Chronicle of a Camera
Norris Pope
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
University Press of Mississippi 
Ratgeber / Fotografieren, Filmen, Videofilmen
Beschreibung
This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972—when the first lightweight, self-blimped 35mm cameras became available.
Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the “Hollywood New Wave.” The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include
Bullitt,
The French Connection, and, most significantly,
Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression.
Kundenbewertungen
Venice Film Festival, Business & Technology, Jean-Luc Godard, Francis Ford Coppola, motion pictures, Al Adamson, Warner Bros., Panavision, Roger Corman, John Cassavetes, Hollywood New Wave, location shooting, film production, low-budget, CinemaScope, hand-held shooting, Dirty Harry, Robert Flaherty, 35mm, Film Studies, Camera Mart, portability, Academy Awards, Peter Fonda, mainstream, Jack Nicholson, Laszlo Kovacs, tracking shots, Birns & Sawyer, Breathless, selective focus, Clint Eastwood, Dennis Hopper, cinematographers, sound blimps, John Alonzo, John Boorman, Butch Cassidy and the Sundance Kid, reflex viewing, Angenieux zoom, Ingmar Bergman, Cinematography, The French Connection, Bullitt, Peter Bogdanovich, Vilmos Zsigmond, The Godfather, Woody Allen, Deliverance, Easy Rider, The Bridge on the River Kwai