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Hummingbird in Underworld
Teaching in a Men’s Prison, A Memoir
Deborah Tobola
EPUB
ca. 10,99 €
Amazon
iTunes
Thalia.de
Weltbild.de
Hugendubel
Bücher.de
ebook.de
kobo
Osiander
Google Books
Barnes&Noble
bol.com
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yourbook.shop
Kulturkaufhaus
ebooks-center.de
* Affiliatelinks/Werbelinks
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
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Sachbuch / Biographien, Autobiographien
Beschreibung
At the age of forty-five, Deborah Tobola returns to her birthplace, San Luis Obispo, to work in the very prison her father worked in when he was a student at Cal Poly. But she’s not wearing a uniform as he did; she’s there to teach creative writing and manage the prison’s arts program—a dream job.
As she creates a theatre program for prisoners, Tobola finds plenty of drama off the stage as well. Inside the razor wire she finds a world frozen in the ’50s, with no contact with the outside except by telephone; officers who think prisoners don’t deserve programs; bureaucrats who want to cut arts funding; and inmates who steal, or worse. But she loves engaging prisoners in the arts and helping them discover their voices: men like Opie, the gentleman robber; Razor, the roughneck who subscribes to
The New Yorker; charismatic Green Eyes, who really has blue eyes; Doo Wop, a singer known for the desserts he creates from prison fare.
Alternating between tales of creating drama in prison and Tobola’s own story,
Hummingbird in Underworld takes readers on an unforgettable literary journey—one that is frank, funny, and fascinating.
Rezensionen
former student“In her fearless flight inside and outside the bars of prison, Tobola shows us that ‘the emergency is beauty in harsh places.’”
<br>—J. H. Nuñez, poet
<br>
<br>“Tobola came to the California Men’s Colony with a dream to make the arts program a lighthouse in the dreary sameness of prison life. With open-mindedness and empathy, Tobola explores how systemic issues play out in individuals’ lives as they grasp for light in the darkness.”
<br>—
<i>Booklist</i>
<br>
<br>“. . . a treasure of a book in multiple ways.”
<br>—
<i>Foreword Reviews</i>
<br>
<br>“Tobola describes her early awareness that ‘misery’s persistent whisper’ could ‘turn into a collective groan.’ It spurred her to develop a poetry program that encouraged her students to develop and express their talent. . . . The vivid style sustains a lively pace . . .”
<br>—
<i>San Francisco Book Review</i>
<br>
<br>“On one level,
<i>Hummingbird in Underworld</i> is a narrative of teaching art in prison. On another, the book is a memoir of vocation, that we are formed by our families is the subtext: for better, for harder, for good. . . . The lengths to which Tobola will go for her students are stirring, astonishing, heart-rending.”
<br>—
<i>Angelus News</i>
<b>2020 CIBA Hearten Book Awards 1st Place Winner<br>2020 Next Generation Indie Book Awards Winner in Social Justice<br>2020 Next Generation Indie Book Awards Finalist in Memoirs (Career)<br>2020 WILLA Literary Awards Finalist in Creative Nonfiction<br>2019 Nautilius Book Awards Silver Winner in Heroic Journeys<br>2019 Bronze Medalist, <i>Readers' Favorite</i> Book Awards—Non-Fiction (Social Issues)</b> <br> <br>“She doesn't romanticize the system, or her position . . . instead, she's frank and even wry about its myriad challenges. . . . Tobola's dedication to keeping these inmates attuned to their creative spark is what gives this humble memoir its powerful shine. There are people like Tobola who never give up on the forgotten.” <br>— <i>The Los Angeles Times</i> <br> <br>“Written in clear, occasionally lyrical prose . . . the book is a compelling portrayal of education in prison. . . . Tobola’s chronicle of her years teaching poetry and directing plays in prison reveals that art also asks something of us. It demands that we make friends with ambiguity, with vulnerability. It calls on us to attend to the vital creative capacity of others. Art asks that we leave the door open for beauty, whatever its travels have been.” <br>— <i>Los Angeles Review of Books</i> <br> <br>“With <i>Hummingbird in Underworld</i>, Deborah Tobola has found what Rumi calls, ‘the infinite moment when everything happens.’ It is luminous and tender. The reader is given passage to poetry and humanity; to compassion and even to a bright proposal to change our prison system. Remarkable.” <br>—Gregory Boyle, Founder of Homeboy Industries, a non-profit organization rehabilitating previously incarcerated men and women <br> <br>“. . . a deeply moving reflection. . . beautifully wrought . . .” <br>— <i>The Indypendent</i> <br> <br>“Deborah Tobola is a change agent, an authentic visionary pioneer in the field of arts in corrections in the United States, first as a prison arts practitioner for twelve years; then, post-retirement, as founder of Poetic Justice Project, a theatre company of formerly incarcerated actors. Deborah's stunning memoir skillfully weaves her family's personal story with her professional life experience, delivering a lucid, up close, and deeply personal view of bringing art a la carte into the belly of the beast of California Corrections. Deborah continues to be a lighthouse, shining a beacon of redemptive light in the reclamation of human souls once lost in the darkness of despair.” <br>—Curt L. Tofteland, Founder of Shakespeare Behind Bars <br> <br>“Riveting! Tobola moves between her maverick childhood and outlier life teaching art in prison with the eye of an anthropologist and the pen of a poet. Much more than a memoir.” <br>—Sheila Toomey, Pulitzer Prize winning journalist <br> <br>“Deborah Tobola has spent most of the last 30 years in California prisons, more time inside than the average bank robber. In Hummingbird in Underworld she takes us on an adventure most people would never imagine, from her rough-and-tumble childhood to her considerable artistic accomplishments. This beautifully written book shows us an inside view of daily life behind bars, and how Tobola changes lives by engaging prisoners in the artistic process. What a joy to read!” <br>—Claire Braz-Valentine, poet and playwright <br> <br>“Like a hummingbird, Deborah Tobola's story flutters effortlessly from her bohemian upbringing to her work in prison. It is her poetry, and the poetry of her prison students, that ‘knows no boundaries of geography or language.’ <i>Hummingbird in Underworld</i> vividly depicts the life of an artist working in prison.” <br>—Leah Joki, author of <i>Juilliard to Jail</i> and <i>Prison Boxing</i> <br> <br>“In <i>Hummingbird in Underworld</i>, Deborah Tobola writes with lean precision, guiding us through prison like a kind scientist. This book is about attitude and inspiration: her passion for the arts is matched by empathy for the imprisoned. I was a student and employee of Ms. Tobola's in 2000. As an aspiring poet and novelist, she is my mentor once again.” <br>—"Opie,"
<b>2020 CIBA Hearten Book Awards 1st Place Winner<br>2020 Next Generation Indie Book Awards Winner in Social Justice<br>2020 Next Generation Indie Book Awards Finalist in Memoirs (Career)<br>2020 WILLA Literary Awards Finalist in Creative Nonfiction<br>2019 Nautilius Book Awards Silver Winner in Heroic Journeys<br>2019 Bronze Medalist, <i>Readers' Favorite</i> Book Awards—Non-Fiction (Social Issues)</b> <br> <br>“She doesn't romanticize the system, or her position . . . instead, she's frank and even wry about its myriad challenges. . . . Tobola's dedication to keeping these inmates attuned to their creative spark is what gives this humble memoir its powerful shine. There are people like Tobola who never give up on the forgotten.” <br>— <i>The Los Angeles Times</i> <br> <br>“Written in clear, occasionally lyrical prose . . . the book is a compelling portrayal of education in prison. . . . Tobola’s chronicle of her years teaching poetry and directing plays in prison reveals that art also asks something of us. It demands that we make friends with ambiguity, with vulnerability. It calls on us to attend to the vital creative capacity of others. Art asks that we leave the door open for beauty, whatever its travels have been.” <br>— <i>Los Angeles Review of Books</i> <br> <br>“With <i>Hummingbird in Underworld</i>, Deborah Tobola has found what Rumi calls, ‘the infinite moment when everything happens.’ It is luminous and tender. The reader is given passage to poetry and humanity; to compassion and even to a bright proposal to change our prison system. Remarkable.” <br>—Gregory Boyle, Founder of Homeboy Industries, a non-profit organization rehabilitating previously incarcerated men and women <br> <br>“. . . a deeply moving reflection. . . beautifully wrought . . .” <br>— <i>The Indypendent</i> <br> <br>“Deborah Tobola is a change agent, an authentic visionary pioneer in the field of arts in corrections in the United States, first as a prison arts practitioner for twelve years; then, post-retirement, as founder of Poetic Justice Project, a theatre company of formerly incarcerated actors. Deborah's stunning memoir skillfully weaves her family's personal story with her professional life experience, delivering a lucid, up close, and deeply personal view of bringing art a la carte into the belly of the beast of California Corrections. Deborah continues to be a lighthouse, shining a beacon of redemptive light in the reclamation of human souls once lost in the darkness of despair.” <br>—Curt L. Tofteland, Founder of Shakespeare Behind Bars <br> <br>“Riveting! Tobola moves between her maverick childhood and outlier life teaching art in prison with the eye of an anthropologist and the pen of a poet. Much more than a memoir.” <br>—Sheila Toomey, Pulitzer Prize winning journalist <br> <br>“Deborah Tobola has spent most of the last 30 years in California prisons, more time inside than the average bank robber. In Hummingbird in Underworld she takes us on an adventure most people would never imagine, from her rough-and-tumble childhood to her considerable artistic accomplishments. This beautifully written book shows us an inside view of daily life behind bars, and how Tobola changes lives by engaging prisoners in the artistic process. What a joy to read!” <br>—Claire Braz-Valentine, poet and playwright <br> <br>“Like a hummingbird, Deborah Tobola's story flutters effortlessly from her bohemian upbringing to her work in prison. It is her poetry, and the poetry of her prison students, that ‘knows no boundaries of geography or language.’ <i>Hummingbird in Underworld</i> vividly depicts the life of an artist working in prison.” <br>—Leah Joki, author of <i>Juilliard to Jail</i> and <i>Prison Boxing</i> <br> <br>“In <i>Hummingbird in Underworld</i>, Deborah Tobola writes with lean precision, guiding us through prison like a kind scientist. This book is about attitude and inspiration: her passion for the arts is matched by empathy for the imprisoned. I was a student and employee of Ms. Tobola's in 2000. As an aspiring poet and novelist, she is my mentor once again.” <br>—"Opie,"
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Schlagwörter
arts and literature, poetry, arts in corrections, crime and criminals, literary non-fiction, Prison reform, criminology, politics and social science, poetic justice project, working with prisoners