Leseprobe
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Cinematic Cairo
Nezar AlSayyad (Hrsg.), Heba Safey Eldeen (Hrsg.)
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The American University in Cairo Press 
Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
A history of urban modernity in Cairo through cinema which"makes us see makes us see the movies in a whole new way" (Chris Berry, King’s College London)
The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo’s urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt’s film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.
Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South.
Contributors
Ahmed H. AbdelAzim, University of Wisconsin-Madison, USA
Khaled Adham, Leibniz-Zentrum Moderner Orient, Berlin, Germany
Kinda AlSamara, Deakin University, Melbourne, Australia
Nezar AlSayyad, University of California, Berkeley, USA
Doaa Al Amir, October 6th University, Cairo, Egypt
Mirette Aziz, Misr International University, Egypt
Muhammad Emad Feteha, The American University in Cairo, Cairo, Egypt
Farah Gendy, Raef Fahmi Architects, Cairo, Egypt
Hala A. Hassanien, Architect, Wasl, Cairo, Egypt
Tayseer Khairy, Arab Academy for Science Technology & Maritime Transport, Cairo, Egypt
Mariam Marei, The American University in Cairo, Cairo, Egypt
Ameer Saad, Architect, Dar Al-Handasa, Cairo, Egypt
Heba Safey Eldeen, Misr International University, Cairo, Egypt
Mohammad Salama, San Francisco State University, San Francisco, USA
Nour Sobhi, Misr International University, Cairo, Egypt
Sherin Soliman, Misr International University, Cairo, Egypt
Kundenbewertungen
Khaled Adham, Architecture, Civilization, Film, Mariam Marei, Tayseer Khairy, Farah Gendy, Social Science, Kinda AlSamara, Performing Arts, Urbanization, Egypt, Mohammad Salama, Ahmed H. AbdelAzim, Cultural, Heba Safey Eldeen, Urban, Nour Sobhi, Sociology, Doaa Al Amir, Motion pictures, Middle East, Late 19th Century to 1945, Nezar AlSayyad, Criticism, Sherin Soliman, Hala A. Hassanien, Cinema, Modern, cinematic urbanism, Anthropology, History, Cairo, Ameer Saad, movies