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Isidlamlilo / The Fire Eater

A play

Kira Erwin, Mpume Mthombeni, Neil Coppen, et al.

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Wits University Press img Link Publisher

Belletristik / Dramatik

Beschreibung

Isidlamlilo / The Fire Eater is a one-woman play inspired by the true story of a woman who served as a political assassin in the build-up to South Africa’s first democratic elections. Zenzile Maseko, the protagonist, is a 60-year-old grandmother living in a women’s hostel in Durban. Falsely declared dead by the Department of Home Affairs, she finds herself cast into a Kafkaesque nightmare that forces her to confront her past.

Flown in on the wings of the Impundulu (the lightning bird), in Zulu folklore a shapeshifting bird associated with witchcraft and the harbinger of storms and death, Zenzile’s story weaves a magical and terrifying tapestry. She draws on myth, religious symbolism and traditional beliefs as she shares the realities – at times brutal, at times forgiving – of survival in South Africa. Her story touches on what it means to live through political violence, the transition to democracy, the brutality of inequality, health epidemics like HIV/AIDS, patriarchy, and the apathetic bureaucracy of government departments.

Ultimately, Isidlamlilo / The Fire Eater offers a critical and unflinching look at the eddying cycles of violence and revenge that play out across generations. Yet it is most of all a story about regeneration and redemption that speaks to both the country’s haunted past and its present-day complexities.

Written with pathos and empathy, this playscript will appeal to teachers, high school learners, and tertiary students in theatre, drama and English studies.

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Kundenbewertungen

Schlagwörter

Empatheatre, theatre-making, South Africa democracy, satire, Urban Futures Centre, thriller, domestic drama, lightning bird, research-based theatre, Zulu mythology, leitmotiv, South African theatre, superstition, African folklore, Zulu mythology, magical-realist, Athol Fugard, participatory justice, post-modern, witchcraft, HIV/AIDS, monologue, South Africa 1980s, Impundulu, theatre-making as participatory justice