Leseprobe
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Civilisations: How Do We Look / The Eye of Faith
Mary Beard
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Geisteswissenschaften, Kunst, Musik / Kunst
Beschreibung
Companion to the BBC documentary series CIVILISATIONS, presented by Mary Beard, David Olusoga and Simon Schama
The idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?
In Part One, she examines how the human figure was portrayed in some of the earliest art in the world - from the gigantic stone heads carved by the Olmec of Central America to the statues and pottery of the ancient Greeks to the terracotta army of the first emperor of China. And she explains how one particular version of representing the human body, which goes back to the ancient world, still influences (and sometimes distorts) how people in the West see their own culture and that of others. Throughout this story, she is concerned not only with the artists who made images, but with those who have used them, viewed them and interpreted them. In other words: How Do We Look?
In Part Two, Mary Beard turns to the relationship between art and religion. For centuries, religion has inspired art: from the Hindu temple at Angkor Wat to the Christian mosaics of Ravenna to the exquisite calligraphy of Islamic mosques. But making the divine visible in the human world has never been simple. All religions have wrestled with idolatry and iconoclasm, destroying art as well as creating it - and asking how to look with The Eye of Faith.
Rezensionen
[She] implicitly invites us to think about our own world, and about our answers to the question of what makes us human
Beautifully produced and elegantly written ... utterly compelling
If they'
Masterful ... This is exemplary popular history, engaging but never dumbed down, providing both the grand sweep and the intimate details that bring the distant past vividly to life
An irrepressible enthusiast with a refreshing disregard for convention
Enthralling
Vastly engaging ... a tremendously enjoyable and scholarly read
<b>Praise for SPQR: </b>Fast-moving, exciting, psychologically acute, warmly sceptical
Ground-breaking ... invigorating ... revolutionary ... a whole new approach to ancient history
With such a champion as Beard to debunk and popularise, the future of the study of classics is assured
Excellent ... an invigorating guide
<b>Praise for Mary Beard:</b> What she says is always powerful and interesting
Slim yet insightful. . . . Beard expands her view beyond western Europe to offer an admirable survey of cultures from Egypt to China, Judaism to Christianity, centuries past to the modern era, all while emphasizing the significance of the viewer over the artist. . . . As Beard emphasizes the power of the context in which we look at and interpret art, she ultimately suggests that civilization itself is a leap of faith. Beard is having fun in this joyfully accessible primer, backed with a robust appendix, for all interested in a new perspective on religion, art, and history.
Sustaining the energy that such a topic demands for more than 600 pages, while providing a coherent answer to the question of why Rome expanded so spectacularly, is hugely ambitious. Beard succeeds triumphantly ... full of insights and delights ... <i>SPQR</i> is consistently enlivened by Beard'
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