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To the Friend Who Did Not Save My Life

Hervé Guibert

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Belletristik / Romanhafte Biographien

Beschreibung

With a foreword by Maggie Nelson, an introduction from Frieze editor Andrew Durbin and afterword from Edmund White

'Unforgettable, heartbreaking' New York Times
'Brilliant' - Dazed
'As brutal as it is elegant' - Neil Bartlett
'Electrifying' - Colm Tóibín
'Dazzling' - Katherine Angel


After being diagnosed with AIDS, Hervé Guibert wrote this devastating, darkly humorous and personal novel, chronicling three months in the penultimate year of the narrator's life. In the wake of his friend Muzil's death, he goes from one quack doctor to another, from holidays to test centres, and charts the highs and lows of trying to cheat death.

On publication in 1990, the novel scandalized French media, which quickly identified Muzil as Guibert's close friend Michel Foucault. The book became a bestseller, and Guibert a celebrity. The book has since attained a cult following for its tender, fragmented and beautifully written accounts of illness, friendship, sex, art and everyday life. It catapulted Guibert into notoriety and sealed his reputation as a writer of shocking precision and power.

Rezensionen

Its author may be afraid to die, but on the page his voice doesn't crack, his hand doesn't tremble. ... In Linda Coverdale's masterly translation ...[the book] powerfully evokes the aids epidemic's uncertain early days.
'Reveals <b>a writer of courage, beguiling flair, and sometimes maddening nastiness</b> ... The rare book that truly deserves the epithet "unflinching."

Written with urgency, clarity, controlled rage. ... it is electrifying in its searing honesty
s extraordinary writing deserves to be much better known.
One of the most beautiful, haunting, and fascinating works in the French autofictional canon. Guibert grapples with his own AIDS diagnosis, and the death of his friend Muzil, in a dazzling piece of writing. It's a book that gives me goose-bumps every time I open it - I'm thrilled that it's being reissued in the UK, where Guibert'

A writer of courage, beguiling flair

'Dark and unsettling, yet Guibert manages to find beauty and tenderness in the world around him.'
s neighbor and friend. Guibert possesses an aloof, silvery style - a cool envelope for scalding material: a homage to a friendship and its betrayal, and a document of the breakdown of his own body. It is an <b>unforgettable, heartbreaking</b> evocation of the early days of the epidemic, when gay men were forced to become their own scientists, lobbyists, archivists.
The book is <b>a lightly fictionalized (and magnificently indiscreet) account of the final days of the philosopher Michel Foucault</b>, Guibert'

The father of autofiction, the master of finding that perfect balance of truth and beauty.
s] work has been strangely neglected in the Anglophone world, never mind <b>its innovation and historical importance, its breathtaking indiscretion, tenderness and gore.</b> How can an artist so original, so thrillingly indifferent to convention and the tyranny of good taste - let alone one so prescient - remain untranslated and unread?
[Guibert'

Relentlessly honest, extraordinarily truthful

Outstandingly colloquial and exact translation ... urgent and monitory. ... Restrained and controlled...but full of well-noticed contrasting details that combine to create an effect that Guibert...characterized as "barbarous and delicate."

[Full of] innovation and historical importance, ... breathtaking indiscretion, tenderness and gore.

As much about friendship, intimacy, and betrayal as it is about sickness. ... Brilliant
s exactly what Guibert achieves. He writes from the inside, and deploys every trick of his famously disinhibited prose to make sure that the squalor and madness of his journey through HIV infection hit us right between the eyes . His testimony is as brutal as it is elegant; shot through with a scalding and necessary rage.
Thirty years on, it can be hard to adequately describe what things felt like when AIDS first swung its wrecking ball. But that'

This moving French bestseller ... reads like a personal memoir. Delivered with wit, verve and valor
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Schlagwörter

Wayne Koestenbaum, How to Survive a Plague, best Autofiction, Close to the Knives, Edouard Louis, Best French Books, Maggie Nelson, Dallas Buyer's Club, It's a Sin!, Olivia Laing, AIDS, Garth Greenwell, David Wojnarowicz, Ocean Vuong