img Leseprobe Leseprobe

Sound Design for the Stage

Gareth Fry

EPUB
25,49
Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop Kulturkaufhaus ebooks-center.de
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

Crowood img Link Publisher

Sachbuch / Theater, Ballett: Allgemeines, Nachschlagewerke

Beschreibung

Sound Design for the Stage is a practical guide to designing, creating and developing the sound for a live performance. Based on the author's extensive industry experience, it takes the reader through the process of creating a show, from first contact to press night, with numerous examples from high-profile productions. Written in a detailed but accessible approach, this comprehensive book offers key insights into a fast-moving industry. Topics covered include: how to analyze a script to develop ideas and concepts; how to discuss your work with a director; telling the emotional story; working with recorded and live music; how to record, create, process and abstract sound; designing for devised work; key aspects of acoustics and vocal intelligibility; the politics of radio mics and vocal foldback; how to design a sound system and, finally, what to do when things go wrong. It will be especially useful for emergent sound designers, directors and technical theatre students. Focusing on the creative and collaborative process between sound designer, director, performer and writer, it is fully illustrated with 114 colour photographs and 33 line artworks. Gareth Fry is an Olivier and Tony award-winning sound designer and an honorary fellow of the Royal Central School of Speech and Drama. It is another title in the new Crowood Theatre Companions series.

Kundenbewertungen

Schlagwörter

Complicité The Encounter, amplification, writer, devised work, Opening Ceremony of the 2012 Olympic Games, Helpmann Award, live performance, Harry Potter and the Cursed Child, radio mics, Tony Award, music production, rehearsals, recorded music, Drama Desks Award, soundscapes, music, Royal Central School of Speech and Drama, vocal intelligibility, National Theatre, live music reinforcement, dance, scrip, technical theatre books, abstract sound, stage, drama, play, production, contracts, studio, performer, room acoustics, set, Olivier Award, vocal foldback, director, artist, amplificatio, sound, sound design books, live music, sound effects, sound system, acoustics, sound recording, musical, sound designer, Evening Standard Award, budgeting, press night, multi-channel sound effects, sound check, opera, creative, design, sound system design