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Organic Cinema

Film, Architecture, and the Work of Béla Tarr

Thorsten Botz-Bornstein

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Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

The “organic” is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Béla Tarr, the renowned Hungarian filmmaker and pioneer of the “slow cinema” movement. Through a wholly original analysis of the long take and other signature features of Tarr’s work, author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture, revealing shared organic principles that emphasize the transcendence of boundaries.

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Schlagwörter

buildings, history criticism, hungarian filmmaker, long take, aesthetics, realistic, film analysis, science and math, 20th century, career, artists, film criticism, filmmaking, venerable concept, bela tarr, theater, cinema, beauty, design, performing arts, organic principles, engaging, film school, architecture, page turner, innovative study, philosophy, history, architects, film studies, organic, slow cinema movement, original analysis, art