img Leseprobe Leseprobe

The Brecht Yearbook / Das Brecht-Jahrbuch 43

Markus Wessendorf (Hrsg.)

ca. 67,99
Amazon iTunes Hugendubel Bü kobo Osiander Google Books Barnes&Noble Legimi
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

Boydell & Brewer img Link Publisher

Belletristik / Dramatik


Published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of interest to him, especially the politics of literature and theater in a global context. It encourages a wide variety of perspectives and approaches and, like Brecht, is committed to the use value of literature, theater, and theory. Volume 43 opens with a reconstruction of Brecht's two-chorus version of The Exception and the Rule (Reiner Steinweg) and continues with a selection of Helmut Heißenbüttel's reviews of Brecht's work. Four articles (by Christine Künzel, Carsten Mindt, Judith Niehaus, and Sebastian Schuller) address Brechtian aspects of Gisela Elsner's novels. The next two essays (by Hunter Bivens and Friedemann Weidauer) revisit Brecht's reflections on affect and empathy. Also included are papers from the 2016 IBS "Recycling Brecht" Symposium: on Brecht's recycling of Lenin in his "neue Dramatik" (Joseph Dial), on Paul Celan as a reconfiguration of Brecht (Paul Peters), on Brecht's adaptation of Shakespeare's Coriolanus (Martin Revermann), and on Hilary Mantel's Brechtian reconfiguration of Thomas Cromwell (Markus Wessendorf). The volume features Richard Schröder's farewell lecture on Brecht's Life of Galileo and an essay by Ulrich Plass on Bernd Stegemann's allegedly Brechtian reclamation of critical realism. It concludes with Zhang Wei's interview with the Chinese dramaturg, playwright, and Brecht translator Li Jianming. Editor Markus Wessendorf is a Professor in the Department of Theatre and Dance at the University of Hawai'i at Manoa in Honolulu.

Weitere Titel von diesem Autor