Rethinking Jewishness in Weimar Cinema
Valerie Weinstein (Hrsg.), Barbara Hales (Hrsg.)
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Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish “outsiders” to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness – as religion, ethnicity, social role, cultural code, or text – these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.
Kundenbewertungen
Richard Oswald, politicized homophobia, identity, Antisemitism, Jewish visibility, völkisch propaganda, film historiography, Two Worlds, assimilation, Nazi cinema, Jews, German culture, Jargon-Theater, Jewish passing, avant-garde, Jewish filmmaking, antisemitism in films, Weimar Republic, Ostjude, The Three from the Filling Station, comedians, Jewishness, Anders als die Andern, Jewish humor, E.A. Dupont, Jewish difference, Yiddish Theater, political transition, Nazism, Jewish identity, typecasting, digital reconstruction