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From Méliès to New Media

Spectral Projections

Wendy Haslem

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Geisteswissenschaften, Kunst, Musik / Kunst

Beschreibung

Index

Adams, Hans Christian 168

Albright, Ann Cooper 66

Allen, Christopher 134

Arnheim, Rudolf 143, 144, 146
Atkins, Anna 170, 173
Aumont, Jacques 69
Balsom, Erika 150
Barker, Jennifer 23–4, 59, 72–3, 75, 124
Barthes, Roland 5, 7, 8, 15–6, 135–6, 151

            Punctum 16, 89–90, 135–6, 151

Bazin, Andre 16, 61
Bellour, Raymond 96, 148, 161
Benjamin, Walter 24, 37, 52, 53, 110, 130, 155, 165, 167, 172 

            Aura 52–4, 130

‘fore-history’ 167

            Historical materialism 130–1

Bergson, Henri 27
Birchard, Robert S. 43–5

Boltanski, Christian 30, 121, 123, 131–7  

Bolter, Jay David 25

Borde, Raymond 84, 100

Bordwell, David 113, 115

Braun, Marta 169, 171

Bromberg, Serge 43–4

Bruno, Giuliana 150

Buñuel, Louis

Un Chien Andalou 30, 104, 107–8,

116

Campbell, Jim

            Illuminated Average #1 30, 152–3

Centre Pompidou 148, 156
Chaplin, Charles 121, 132

Modern Times 121
Chaumeton, Etienne 84, 100

colour

fugitive 61, 74, 76

as metaphor 60–1

free floating 69

in early cinema 14, 18, 29, 37–54,

59–76, 128, 136, 167, 177

labour 41–2

            and sensation 41, 61, 66, 125–6

 

 

 

Cook, Pam 96
Cornell, Joseph

            Rose Hobart 158

Cosandey, Roland 45–6

Cowie, Elisabeth 85, 98
Crary, Jonathan 8, 145–6, 149–50, 176

Crooks, Daniel

            Phantom Ride 30, 146–7

Cubitt, Sean 23

cue marks 7–11, 14, 16–7, 29, 31

Daumal, Rene 126

De Almeida, Pedro 133

Dean, Tacita 17, 30, 121, 123–31, 136–7

De Chomón, Segundo 43, 51

            The Gold Spider 43

de Klerk, Nico 61

Del Ray, Lana 73–6, 175, 177

Deleuze, Gilles 5, 27, 72, 76, 81, 172

Dick, Philip K. 87

Dickson, William K. 68
Dimendberg, Edward 88

dispositif 137, 148–9, 161
Doane, Mary Ann 11, 20, 22, 28, 75, 123, 129

Duchamp, Marcel

Anemic Cinema 157
Durgnat, Raymond 84–5
Edison, Thomas Alva 26, 45, 59, 61, 68–70, 72, 117

editing 10, 13, 18, 22, 29–30, 39, 48–50, 94, 103–18, 122, 124, 154, 157, 158, 175

            assault montage 30, 104, 107–9,

112, 116–8

Eisenstein, Sergei 29, 103–6, 111, 116, 118, 122, 138, 151, 175, 177

            vertical montage 29, 103, 105–9,

111–4, 118

            The Dynamic Square 122, 138

Eisner, Lotte 143–4, 146

Elsaesser, Thomas 5–6, 13–4, 18–20, 25, 136, 173–6,

Ezra, Elizabeth 38, 48, 49

 

 

Faiman, Peter

            Crocodile Dundee 115
film noir 5–10, 29, 81–100, 175, 177,

            neo noir 29, 81–98, 175

post-noir 29, 81–3, 87, 92–3, 97,

98, 100

Filmoteca de Catalunya 38, 43

Flitterman-Lewis, Sandy 107
Fossati, Giovanna 47
Foster, Hal 131
Foucault, Michel 24–5, 109–10, 160
Franju, George 30, 104, 108–12,

Les Yeux sans Visage (Eyes Without a Face) 108–12

freeze frame 68, 70, 96–7

Friedberg, Anne 11-2, 37, 121, 147, 150, 168

Fuller, Loïe 29, 59–68, 72–6, 175, 177

Galt, Rosalind 111
Gaudreault, André 12, 26–7, 49, 56

German Expressionism 29, 83, 144, 175

Gobeille, Emily 165–6, 172

Gomez, Aurora Herrera 61–2, 64
Gorky, Maxim 143–4, 146, 151
Gordon, Douglas

            24-Hour Psycho 154

Graham, Dan

            Cinema 81 157

Groupama Gan 38–9, 41, 43–4, 48–50

Grusin, Richard 25

Gunning, Tom 25, 41, 49, 60–1, 70–2, 76, 83, 126, 145–6, 151–2

Haghefilm 43–4

Hagener, Malte 174

Hansen, Miriam 26, 130

Hanson, Matt 38

Hawkins, Joan 111

Hertogs, Daan 61

Hitchcock, Alfred 30, 104, 112, 148, 151–4
Holl, Ute 67, 72

Huston, John

The Maltese Falcon 85
Hutamo, Erkki 172–3

indexicality 13–29, 46, 54, 91–2, 129, 175–6

Jameson, Fredric 86–7, 96
Juchau, Mireille 133–4, 137
Kar-wai, Wong 83, 93, 95

            In The Mood For Love 83, 93–7

kinetoscope 26, 67, 73, 81, 132
Kittler, Friedrich 25

Krauss, Rosalind 129
Krutnik, Frank 84, 100
Kubelka, Peter

            Arnulf Rainer 157

Kuhn, Edmund (wife of) 68

Landsberg, Alison 90–1
Lang, Fritz

            M/Eine Stadt sucht einen Mörder

83

Lange, Eric 44
Latour, Bruno 53

Lévêque, Claude

Valstar Barbie 158–9
Lewinsky, Mariann 72

light 6–7, 13, 14–5, 17–23, 29, 38–9, 46, 59–68, 71–6, 81–6, 81–9, 94–7, 103–4, 124–5, 127–30, 135, 144–5, 148, 150, 152, 153, 155, 157–62, 167, 170, 174, 175, 176

            electric 63–4, 75, 82,

            neon 29, 82, 87, 88, 89, 95–7,

158–9, 175

            radium 29, 59, 62–4, 67, 175

Lista, Giovanni 64–6

Lobster Films 17, 38, 40, 43–4, 51

Loiperdinger, Martin 143, 144, 145

Lowder Rose

Bouquets 1 à 10 157
Lowe, Adam 53

Lowenstein, Adam 110–1
Lumière brothers 12–3, 26, 30, 37, 66, 126, 143–6, 148, 161

L’arrivée d’un train en Gare de La Ciotat (Arrival of a Train at a Station) 30, 143–8, 161

Malpas, Jeff 52

Mallarmé, Stéphane 66

Malthête, Jacques 46

Malthete-Méliès, Madeleine 44

 

 

Mann, Michael

Thief 97
Manovich, Lev 113

Marclay, Christian 30, 104, 113–7

            The Clock 115–6

Crossfire 116–7, 175

Telephones 113–5

Marks, Laura 20–2, 28
Marion, Phillippe 12, 27, 56

Martin, Adrian 148–9, 152, 161

Mavor, Carol 64

Mazzanti, Niccola 42, 46–8

Melford, George

East of Borneo 158

Méliès, Georges 13, 17–8, 29, 37–56

Le Voyage dans la Lune (A Trip to the Moon) 29, 37–56

Memory 5, 15–6, 24, 29, 81–100, 129, 137, 153, 155, 177

Michaud, Phillippe-Alain 166

Mount Analogue 126

Mulvey, Laura 16–7, 23–4, 54–5, 135–6, 154, 174–5
Muybridge, Eadweard 21, 26, 30, 125, 165–73, 175, 177
Muybridgizer 30, 165–75
Nava, Jake

Shades of Cool 29, 73–5
Nead, Linda 24, 160–2
Neale, Steve 42
Newmayer, Fred C.

            Safety Last 115

Nolan, Christopher

            Memento 83, 91–3

Nora, Pierre

            Lieux de memoire 86, 93

Orr, John 151
Oswald, Gerd 114
Palmer, R. Barton 85, 98

Paramount Studios 126

Pathé Frères 46, 59

Peirce, Charles Sanders 14–5, 20

persistence of vision 105

photography 11, 15–7, 21, 23, 37, 43, 48, 75, 87, 92, 96, 133–5, 144, 153–6, 165–77

            chronophotography 165, 173–5

            cyanotype 166, 170–1

Polan, Dana 82

Polanski, Roman

            Chinatown 87

Porter, Edwin S.

The Great Train Robbery 104,

117–8

Powell, Michael

            Peeping Tom 112

Rees, Lucy 121, 131

Refn, Nicolas Winding

Drive 83, 97–8
Rodowick, David Norman 38, 121

Rohmer, Éric

            Le Rayon Vert (The Green Ray)

127

Royoux, Jean-Christophe 128
Schlüpmann, Heide 71
Schrader, Paul 84, 85
Sconce, Jeffrey 27
Scorsese, Martin

Hugo 55
Scott, Ridley

            Blade Runner 29, 81–3, 87–91

the serpentine dance 18, 29, 59–76, 175–7

Serra, Richard

            Hand Catching Lead 156–7

Sharits, Paul

Piece Mandala (End War) 157,

175

Sietsema, Paul

            Empire 157
Sinsky, Carolyn 60
Sobchack, Vivian 10, 28, 173

Solomon, Matthew 49–51

Sommer, Sally R. 62–4, 68

Soviet Cinema 104–8

spectatorship 8, 12, 16, 26, 30, 55, 116, 121–2, 134, 144, 148, 150, 154–5, 160–1

sprocket holes 124–5, 129

Star Films 42, 50–1

Stern, Emil 151

Structuralist Filmmaking 115–6, 157

Svilova, Yelizaveta 106–7

The Tate Gallery 30, 127, 165

Taylor, Sam 115

Technicolor Foundation for Cinema heritage 44–6

Teshigahara, Hiroshi

Tanin no Kao (The Face of Another) 112

Thomas, Paul 23

Thompson, Kristin 137

Thuillier, Elisabeth 41–2, 45, 56

Ulmer, Edgar G.

            Detour 5–14, 29, 31

Usai, Paolo Cherchi 12, 38, 46–7, 53, 55, 59

Vertov, Dziga

Man with a Movie Camera 103,

106–7, 116
Villeneuve, Denis

            Blade Runner 2049 29, 81, 88–9

virtualism 52
Welles, Orson

            Touch of Evil 85

Wells, Herbert George

            The First Men in the Moon 50

Walsh, Peter 53

Warner, Marina 121

Watson, Theo 165–6, 172

Whitcomb, Andrea 53
White, Hayden 143–4

Yang, Fudong

            The Fifth Night 83, 98–9
Yeoh, Peter 123, 127
Yumibe, Joshua 41–2, 66, 68
Zielinski, Siegfried 25, 123

Zoöpraxiscope 165, 168, 171

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Schlagwörter

Roman Polanski, digital film, Sergei Eisenstein, film, The First Men in the Moon, Muybridgizer, Technicolor Foundation, Blade Runner, L’arrivée d’un train en Gare de La Ciotat, Lobster Films, media archeology, Lumière brothers, analogue film