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María Félix
Niamh Thornton
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Geisteswissenschaften, Kunst, Musik / Kunst
Beschreibung
María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse.
María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse.
Did Félix really bring baby crocodiles to the Cartier boutique to request lifelike copies in a necklace? The story may be apocryphal, but it perfectly encapsulates her powerful, independent and unconventional persona. This book first examines Félix's life and work, reviewing her films and acting style and considering what they say about gender norms and a woman's place on screen. It then turns to her role as curator and benefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.
Kundenbewertungen
Ismael Rodríguez, Juan Gabriel, Luis Buñuel, jewellery, Golden Age cinema, Julio Bracho, La Doña, Octavio Paz, Leonora Carrington, Bridget Tichenor, Antoine Tzapoff, star studies, television, Hermès, Frances Cabrel, film studies, Cartier, Luis Spota, art, Chavez Marion, Leonor Fini, fashion, Emilio Fernández, Stanislao Lèpri, Jean Renoir, gender norms, Renato Leduc, Pita Amor