Cinema of Yakov Protazanov

Wilson F. Booth Wilson

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Rutgers University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeines, Lexika

Beschreibung

Best known for Aelita (1924), the classic science-fiction film of the Soviet silent era, Yakov Protazanov directed over a hundred films in a career spanning three decades. Called "e;the Russian D.W. Griffith"e; in the 1910s for his formative role in the first movies in the last years of the Russian Empire, he fled the Civil War and maintained a successful career in Europe before making an unusual decision to return to Russia now under Soviet power. There his films continued their remarkable success with audiences undergoing a bewildering and often brutal revolutionary transformation. Rather than treating him as an indistinct, if capable craftsman, The Cinema of Yakov Protazanov argues that his films are suffused with a unique creative vision that reflects both his mindset as a traditional Russian intellectual and his experience of dislocation and migration after 1917. As he adapted his films to revolutionary culture, they intermingled different voices and reinterpreted his past work from a disavowed era. Offering fresh perspectives of Protazanov's films, the book will give readers a new appreciation of his career. The book offers a uniquely valuable vantage point from which to explore how cinema reflected a society in transformation and a seminal moment in the development of cinematic art.

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