The End of Music

The Death of the Dream of Independent Musicians

Matti Charlton

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Matti Charlton img Link Publisher

Sozialwissenschaften, Recht, Wirtschaft / Einzelne Wirtschaftszweige, Branchen

Beschreibung

In 'The End of Music,' author Matti Charlton explores the transformative impact of digital platforms and the democratization of music production, distribution, and the music services sector. With an unflinching examination of the challenges faced by musicians and artists today, this eye-opening book delves into the overwhelming oversupply of music content, the negligible revenue streams from streaming platforms, and the industry's relentless pursuit of meaningful return on investment (ROI).


Charlton navigates the landscape of market saturation, deftly examining the struggles of emerging artists amidst the COVID-19 pandemic's detrimental impact on live performances. Shedding light on the DIY culture and the emerging trends in musician consumer behavior, the book uncovers the unrealistic expectations surrounding ROI in the music industry.


Drawing from expert opinions and concrete proof, 'The End of Music' uncovers the stark reality of market saturation and the dwindling viability of traditional revenue streams. It explores innovative strategies and the urgent need for diversified revenue streams as musicians navigate this ever-evolving industry.


With a laser focus on revenue, streaming, and the evolving music industry, this essential read compels musicians, industry professionals, and music enthusiasts to confront the industry's challenges head-on. 'The End of Music' offers a thought-provoking call to action for musicians, underscored by emerging trends, market saturation, and the urgent need for adaptation. Brace yourself for a captivating journey through the music services sector, where the quest for meaningful return on investment confronts the undeniable reality of industry transformation.

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Schlagwörter

COVID-19 impact on music industry, revenue streams, return investment roi, revenue, ROI in music industry, meaningful return investment, music production, musicians must, streaming, diversified revenue streams, music services sector, artists, revenue stream, music, music services, Musician consumer behavior, emerging artists, market saturation, industry, DIY culture, music production distribution, musicians, live performances, democratization music production, music industry, digital platforms