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Bedouins

James Huneker

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Geisteswissenschaften, Kunst, Musik / Musikgeschichte

Beschreibung

Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume.
That little girl down Boston way, who had mastered William James and Boris Sidis before she was in her teens, behaved badly one afternoon. Possibly it was the sultry weather, or growing pains—in the psychic sphere, of course—or, perhaps, it may have been due to the reflexes from prolonged attention to the Freudian psycho-analysis and the significance of Twilight Sleep; but whatever the cause, that precocious child flew off her serene handle and literally “sassed” the entire household. The tantrum over—she afterward described it as a uric-acid storm—and order reigning once more in Bach Bay, she was severely interrogated by her male parent as to the whys and wherefores of her singular deviation from accustomed glacial intellectual objectivity. Her answer was in the proper key: “My multiple personalities failed to co-ordinate. Hence the distressing lack of centripetal functioning.” She was immediately forgiven. Multiple personalities are to blame for much in this vale of tears; that is, if you are unlucky or lucky enough to be possessed of the seven devils of psychology.
 

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