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Guido Culture and Italian American Youth

From Bensonhurst to Jersey Shore

Donald Tricarico

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Geisteswissenschaften, Kunst, Musik / Regional- und Ländergeschichte

Beschreibung

From Saturday Night Fever to Jersey Shore, Italian American youth in New York City have appropriated—and been appropriated by—popular American culture. Here, Donald Tricarico investigates how Italian ethnicity has been used to fashion Guido as a distinct youth style that signals inclusion in popular American culture and, simultaneously, the making of a new ethnic subject. Emerging from a wave of Italian immigration after World War II in outer borough neighborhoods such as Bensonhurst, the story of the Guido is an Italian American story, symbolizing the negotiation of a negatively privileged ethnicity within American society. Tricarico takes up questions about the definition of Guido, the role of disco, and the identity politics of Jersey Shore in order to reconsider the significance of Guido for the study of Italian American ethnicity.

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Schlagwörter

New York City Italian heritage, Jersey Shore, Italian studies, ethnic youth subcultures, Italian American ethnicity, constructionist model of ethnicity, ethnography, 1950s Do Wop, Italian New York City, Brooklyn, youth agency, disco culture, Guido culture, Italian American culture, ethnic youth identity, Bensonhurst, segmented assimilation model of ethnicity