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Gender, Otherness, and Culture in Medieval and Early Modern Art

Carlee A. Bradbury (Hrsg.), Michelle Moseley-Christian (Hrsg.)

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Springer International Publishing img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft

Beschreibung

This collection examines gender and Otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts’s Justice of Otto III, Albrecht Dürer’s Feast of the Rose Garland, Rembrandt van Rijn’s Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others. 

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Schlagwörter

Jew of Bourges, Clare of Assisi, Aspectu Desiderabilis, Justice of Otto III, face of Medusa, impoverished women in medieval art, gendered testimony in medieval europe, gender and honor in middle ages, Naked Woman Seated on a Mound, Scuola dei Tedeschi, Feast of the Rose Garland, anti-semitism and medieval art, masculine identity in medieval Europe, reliquary of David, Dieric Bouts, Transi tombs, medieval attitudes towards poverty and gender, non-biblical Jewish woman in medieval art, Durer, Fondaco dei Tedeschi