Leseprobe
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
A Short Essay on the Elizabethan Stage and its Language
Volker Beckmann
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft
Beschreibung
Essay from the year 1983 in the subject English Language and Literature Studies - Other, grade: 3,0, Bielefeld University (Sprachenzentrum), course: Elizabethan Language, language: English, abstract: The Elizabethan drama owed its development to two influential traditions: namely firstly to humanism as it was represented by the comedies written by Terence and Plautus and secondly to the English tradition of the English miracle and morality plays. From the Latin comedies the Elizabethan drama adopted both formal innovations and new material as regards contents. To the newly adopted dramatic elements belonged the clear division into acts and scenes, the introduction of the actors who are to speak a prologue or an epilogue and new types of characters like the parasite, the miles gloriosus (the boastful knight), the shrewd and witty servant, the obstinate father who is deceived in the end, the ardent lover, and the girl disguised as a man. As regards contents new motifs and themes like confusion, secret love affairs, separated families that happily reunite after having experienced many adventurous encounters, the unexpected reappearance of children who were believed to be lost were adopted from the plays written by Plautus.
Kundenbewertungen
actors' behaviour on stage, behaviour of audiences, typology of playhouses, dramatic traditions, soliloquies, the control of the stage, boy companies and adult companies, the functions of dramatic art