International Theatre Olympics

The Artistic and Intercultural Power of Olympism

Jae Kyoung Kim

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Springer Singapore img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

This pivot examines how the Theatre Olympics, born in 1995, have served to enrich each host country’s culture, community, and foreign relations. Looking at the host country’s political, social, and cultural circumstances, it considers how the festival expands the notion of Olympism beyond its application to the Olympic Games, expressing the spirit of Olympism and interculturalism in each country’s distinct cultural language.


It also emphasizes the festival’s development over the twenty years of its existence and how each festival’s staging has reflected the national identity, theatre tradition, and cultural interest of the hosting country at that time, as well as how each festival director’s artistic principle has attempted to accomplish cultural exchange through their productions.

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Schlagwörter

International Theatre and The Theatre Olympics, Olympism and world theatre, International Relations and Cultural exchange, National identity and theatre tradition, Trends in contemporary world theatre, Cultural exchange and Theatre