The Social Life of Sound

Sophia Maalsen

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Springer Singapore img Link Publisher

Naturwissenschaften, Medizin, Informatik, Technik / Geografie

Beschreibung

The Social Life of Sounds argues for the agency of sounds and music and the acceleration of their social lives in the Digital Age. Drawing upon research with composers, producers, record collectors, DJs and record labels, the book problematises the notion of artistic authorship as it is framed in Western systems of property. Acknowledging that ‘things’ – sounds, samples, and recorded music – and people are co-constituted and that personhood is distributed through things and their reuse, Maalsen makes a case for understanding sound as multibiographical and challenges the possessive individual that is the basis of artistic copyright.

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Schlagwörter

cultural geography, sensory studies, cultural heritage, more-than-human, Music as cultural heritage, feminist philosophy, humans/nonhumans, Goyte, museology, Sing Sing records, music sampling, sound studies, music making practices, popular music studies, music and landscape, music geographies, Smithsonian Folkways, Sound as material culture