Mainframe Experimentalism
Douglas Kahn (Hrsg.), Hannah Higgins (Hrsg.)
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University of California Press
Geisteswissenschaften, Kunst, Musik / Kunstgeschichte
Beschreibung
Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines,
Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.
Kundenbewertungen
digital art, visual research, computers and art, digital scholarship, computer art history, early computer art, art and media, film arts, nam june paik, visual studies, computer art criticism, digital artist, media studies, visual rhetoric, digital media, alison knowles, art, digital culture, art criticism, art history, digital studies, computer artists, modern art, information aesthetics, stuttgart school, computer art, computers