Pioneering Participatory Art Practices

Tracing Actors, Associations and Interactions across the Long Sixties

Annemarie Kok

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Geisteswissenschaften, Kunst, Musik / Kunstgeschichte

Beschreibung

Participatory art practices allow members of an audience to actively contribute to the creation of art. Annemarie Kok provides a detailed analysis and explanation of the use of participatory strategies in art in the so-called ›long sixties‹ (starting around 1958 and ending around 1974) in Western Europe. Drawing on extensive archival materials and with the help of the toolbox of the actor-network theory, she maps out the various actors of three case studies of participatory projects by John Dugger and David Medalla, Piotr Kowalski, and telewissen, all of which were part of documenta 5 (Kassel, 1972).

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Schlagwörter

Long Sixties, Participatory Art, David Medalla, Cultural History, Telewissen, Sociology of Culture, Art, Fine Arts, Europe, Documenta 5, Art History of the 20th Century, Art History, John Dugger, Piotr Kowalski