Leseprobe
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Art and Eloquence in Byzantium
Henry Maguire
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Geisteswissenschaften, Kunst, Musik / Kunst
Beschreibung
In this interdisciplinary study, Henry Maguire examines the influence of several literary genres and rhetorical techniques on the art of narration in Byzantium. He reveals the important and wide-reaching influence of literature on the visual arts. In particular, he shows that the literary embellishments of the sermons and hymns of the church nourished the imaginations of artists, and fundamentally affected the iconography, style, and arrangement of their work. Using provocative material previously unfamiliar to art historians, he concentrates on religious art from A.D. 843 to 1453.
Professor Maguire first considers the Byzantine view of the link between oratory and painting, and then the nature of rhetoric and its relationship to Christian literature. He demonstrates how four rhetorical genres and devices—description, antithesis, hyperbole, and lament—had a special affinity with the visual arts and influenced several scenes in the Byzantine art, including the Annunciation, the Nativity, the Massacre of the Innocents, the Presentation, Christ's Passion, and the Dormition of the Virgin.
Through the literature of the church, Professor Maguire concludes, the methods of rhetoric indirectly helped Byzantine artists add vividness to their narratives, structure their compositions, and enrich their work with languages. Once translated into visual language, the artifices of rhetoric could be appreciated by many.
Henry Maguire is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign.
Originally published in 1982.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Kundenbewertungen
Typikon, Lectionary, Supplication, Veneration, Rhetoric, Martyr, Designer, Pope Gregory I, John of Damascus, Gregory of Nazianzus, Monreale, Byzantine literature, Art criticism, Intercession, Cosmas of Maiuma, Theology, Classical mythology, Byzantine art, Encomium, Aristion, Classical element, Antithesis, Treatise, Byzantine Empire, Renaissance art, Eloquence, V., Homily, Literature, Exegesis, Martorana, Rabbula, Church Fathers, Old Testament, Sarcophagus of Junius Bassus, Classical education, Hyperbole, Kurt Weitzmann, Libanius, Apse, Deesis, Classicism, Mansion, Ekphrasis, Figure of speech, Iconography, Late Antiquity, Ancient art, Niobids, Western Wall, John Chrysostom, Theodotus, Castelseprio (archaeological park), Menologium, Cappadocian Fathers, Sermon, Church of St. Panteleimon (Gorno Nerezi), John Italus, Quintilian, Rabbula Gospels, Christian art, Iconoclasm, Judgment of Solomon, Epigram, Work of art, Illustration, Acclamation, Preface (liturgy), Theodore Prodromos, Gregory of Nyssa