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On Seamus Heaney

Roy Foster

ca. 14,99
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Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft


A vivid and original account of one of Ireland’s greatest poets by an acclaimed Irish historian and literary biographer

The most important Irish poet of the postwar era, Seamus Heaney rose to prominence as his native Northern Ireland descended into sectarian violence. A national figure at a time when nationality was deeply contested, Heaney also won international acclaim, culminating in the Nobel Prize for Literature in 1995. In On Seamus Heaney, leading Irish historian and literary critic R. F. Foster gives an incisive and eloquent account of the poet and his work against the background of a changing Ireland.

Drawing on unpublished drafts and correspondence, Foster provides illuminating and personal interpretations of Heaney’s work. Though a deeply charismatic figure, Heaney refused to don the mantle of public spokesperson, and Foster identifies a deliberate evasiveness and creative ambiguity in his poetry. In this, and in Heaney’s evocation of a disappearing rural Ireland haunted by political violence, Foster finds parallels with the other towering figure of Irish poetry, W. B. Yeats. Foster also discusses Heaney’s cosmopolitanism, his support for dissident poets abroad, and his increasing focus in his later work on death and spiritual transcendence. Above all, Foster examines how Heaney created an extraordinary connection with an exceptionally wide readership, giving him an authority and power unique among contemporary writers.

Combining a vivid account of Heaney’s life and a compelling reading of his entire oeuvre, On Seamus Heaney extends our understanding of the man as it enriches our appreciation of his poetry.

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James Joyce, Novelist, Seamus Heaney, Miroslav Holub, Envoi, Career, John Montague (poet), Hunger strike, Sophocles, Communal violence, T. S. Eliot, The Plough and the Stars, Literary criticism, W. B. Yeats, Mourning, National poet, Poetry, Paul Muldoon, Bernard O'Donoghue, Irony, William Wordsworth, Conor Cruise O'Brien, Zbigniew Herbert, Translations, Assonance, Richard Ellmann, District and Circle, Station Island (poetry), Coventry Patmore, John McGahern, Brian Friel, Edvard Munch, Meditations, Derek Mahon, Karl Miller, Ted Hughes, Andrew O'Hagan, Robert Lowell, Tom Paulin, Lecture, Buile Shuibhne, Two Kinds, Long poem, To This Day, Dennis O'Driscoll, Philip Larkin, Thomas Kinsella, Tollund Man, His Family, Narrative, Illustration, Pamphlet, The Haw Lantern, Procession, Assassination, Death of a Naturalist, Peat, Resentment, Robert Henryson, Terza rima, English poetry, Stephen Dedalus, Four Quartets, Publication, Sonnet, Little Gidding, Aeneid, Irish literature, The Irish Times, Emblem, Door into the Dark, Imagery, Seamus Deane, Elizabeth Bishop, Orwellian, Writing, Native ground, Accessibility, Matter of England, Ciaran Carson, Evocation, The Cure at Troy, Delicacy, Kulturkampf, Denis Donoghue (academic), Tercet, Allegory, Playwright, Andrew Motion, Michael Longley, Englishry, Quatrain, Blake Morrison, Stanza, Wolfe Tone, Helen Vendler, Publishing, Fire from Heaven, Joseph Brodsky, Prose