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Giuliano da Sangallo and the Ruins of Rome

Cammy Brothers

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Princeton University Press img Link Publisher

Belletristik / Briefe, Tagebücher

Beschreibung

An illuminating reassessment of the architect whose innovative drawings of ruins shaped the enduring image of ancient Rome

Giuliano da Sangallo (1443–1516) was one of the first architects to draw the ruins and artifacts of ancient Rome in a systematic way. Cammy Brothers shows how Giuliano played a crucial role in the Renaissance recovery of antiquity, and how his work transformed the broken fragments of Rome's past into the image of a city made whole.

Drawing new insights from the Codex Barberini and the Taccuino Senese—two exquisite collections of Giuliano's drawings on parchment—Brothers reveals how the Florentine architect devoted enormous energy to the representation of ruins, and how his studies of Rome formed an integral part of his work as a designer. She argues that Giuliano's inventive approach, which has often been mischaracterized as fantastical or naive, infused the architect's craft with the sensibilities of a poet and painter. Brothers demonstrates how his drawings form the basis for a reevaluation of the meaning and method of the Renaissance study of ancient artifacts, and brings to life the transformative moment when artists and architects began to view the fragments of ancient Rome not as broken artifacts of little interest but as objects of aesthetic contemplation.

Featuring a wealth of Giuliano's magnificent drawings, this compelling book provides an incomparable lens through which to explore essential questions about the aesthetic value, significance, and the uses of the past for today's architects.

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Schlagwörter

Pope Julius II, Luca Pacioli, Poliziano, Sassetti Chapel, Dante Alighieri, Entablature, Filippino Lippi, Illustration, Andrea Palladio, Cornice, Italian Renaissance, Ancient monument, Bernardo Rossellino, Ostia (Rome), Judea (Roman province), Roman Empire, Palazzo Gondi, Vitruvian Man, Cassiano dal Pozzo, Giuliano da Maiano, Sebastiano Serlio, Ancient Rome, De Re Aedificatoria, Ancient Roman architecture, Masaccio, Rome, Basilica Aemilia, Basilica of Santa Maria Novella, I quattro libri dell'architettura, Vatican Library, Poggio Bracciolini, Flavio Biondo, Giotto, Roman Renaissance, Arch of Constantine, Vatican City, Santa Maria in Trastevere, The Story of Lucretia (Botticelli), Domenico Ghirlandaio, Giulio Romano, Pirro Ligorio, Donatello, Calumny of Apelles (Botticelli), Antonio Labacco, Giuliano da Sangallo, Palazzo della Cancelleria, San Pietro in Montorio, Peruzzi, Baldassare Peruzzi, Filippo Brunelleschi, Roman army, Baldassare Castiglione, Francesco di Giorgio Martini, Parchment, Baths of Diocletian, Spolia, Vitruvius, Andrea Mantegna, Mirabilia Urbis Romae, Proportion (architecture), Giacomo Barozzi da Vignola, Palazzo Medici Riccardi, Piero di Cosimo, Uffizi, Petrarch, Villa Giulia, Sandro Botticelli, Benvenuto Cellini, Renaissance architecture, Florence Cathedral