The Black Arts Movement

Literary Nationalism in the 1960s and 1970s

James Smethurst

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The University of North Carolina Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Pädagogik

Beschreibung

Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement.

Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.

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Schlagwörter

Joe Goncalves, W. E. B. Du Bois, Russell Atkins, Gwendolyn Brooks, James Boggs, Harold Cruse, Maya Angelou, Charles Fuller, Jeff Donaldson, Ishmael Flory, Ed Bullins, Louis Burnham, Ernest Allen Jr. (Ernie Mkalimoto), Henry Dumas, Hoyt Fuller, Margaret Burroughs, Mari Evans, Sterling Brown, Amiri Baraka (LeRoi Jones), Muhammad Ahmad (Max Stanford), Grace Boggs, Margaret Danner, John Henrik Clarke, Ossie Davis, Johari Amiri (Jewel Lattimore), Lonnie Elder III, Sarah Webster Fabio, Tom Dent, Shirley Graham Du Bois, Victor Hernandez Cruz, Alice Childress, Nikki Giovanni, Toni Cade Bambara, Jayne Cortez, James Baldwin, Ebon Dooley (Leo Thomas Hale), Phil Cohran