Broadway Goes to War
Sally E. Parry, Robert L. McLaughlin
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The University Press of Kentucky
Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media.
American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.
Kundenbewertungen
deep are the roots, allies, pearl harbor, wartime popular culture, on the town, watch on the rhine, soldier's wife, it can't happen here, ww2, pins and needles, tomorrow the world, truckline cafe, margin for error, flight to the west, state of the union