img Leseprobe Leseprobe

Bitter Carnival

Ressentiment and the Abject Hero

Michael André Bernstein

PDF
ca. 52,99
Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop Kulturkaufhaus ebooks-center.de
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

Princeton University Press img Link Publisher

Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

"You people put importance on your lives. Well, my life has never been important to anyone. I haven't got any guilt about anything," bragged the mass-murderer Charles Manson. "These children that come at you with knives, they are your children. You taught them. I didn't teach them. . . . They are running in the streets--and they are coming right at you!" When a real murderer accuses the society he has brutalized, we are shocked, but we are thrilled by the same accusations when they are mouthed by a fictional rebel, outlaw, or monster. In Bitter Carnival, Michael Andr Bernstein explores this contradiction and defines a new figure: the Abject Hero. Standing at the junction of contestation and conformity, the Abject Hero occupies the logically impossible space created by the intersection of the satanic and the servile. Bernstein shows that we heroicize the Abject Hero because he represents a convention that has become a staple of our common mythology, as seductive in mass culture as it is in high art. Moving from an examination of classical Latin satire; through radically new analyses of Diderot, Dostoevsky, and Cline; and culminating in the courtroom testimony of Charles Manson, Bitter Carnival offers a revisionist rereading of the entire tradition of the "Saturnalian dialogue" between masters and slaves, monarchs and fools, philosophers and madmen, citizens and malcontents. It contests the supposedly regenerative power of the carnivalesque and challenges the pieties of utopian radicalism fashionable in contemporary academic thinking. The clarity of its argument and literary style compel us to confront a powerful dilemma that engages some of the most central issues in literary studies, ethics, cultural history, and critical theory today.

Weitere Titel von diesem Autor
Michael André Bernstein

Kundenbewertungen

Schlagwörter

Deaconess, Household, Philosophy, Malvolio, Helots, The Philosopher, Julia Kristeva, Rameau's Nephew, Twelfth Night, Fascism, Ressentiment, Aquarian Age, Human behavior, Criticism, Western Europe, Malcontent, The Pursuit of the Millennium, Mikhail Bakhtin, Originality, Minima Moralia, Pamphlet, Dramaturgy, Intelligentsia, The Brothers Karamazov, Free will, Generosity, Multitude, Invidia, Writing, Poetry, Laziness, Essay, Human Action, Messene, The Idiot, Wallace Stevens, Narrative, De rerum natura, Dissipation, S. (Dorst novel), Epistle, Contempt, Trait theory, Carnivalesque, Tzvetan Todorov, Satire, Notes from Underground, Consciousness, Horace, At the Core, Author, Catullus, Juvenal, Anarchy, Genre, Open letter, Bithynia, Hypocrisy, Meal, Anecdote, Irony, Tacitus, Literature, Fyodor Karamazov, Patricide, Jeffrey Mehlman, Abjection, Thought, Charles Manson, Denis Diderot