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The Satanic Epic

Neil Forsyth

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft

Beschreibung

The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox.


Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects.


Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.

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Schlagwörter

God Knows (novel), Ambrosiaster, Parody, Problem of evil, Samael, Simile, Belial, False god, Hellmouth, Damnation, False prophet, Areopagitica, Christian views on hell, Pun, Hamartia, Demonology, Smirk, Mammon, Superiority (short story), Brethren of the Free Spirit, War in Heaven, Heresy, Hubris, Satanic Verses, Trojan War, Wickedness, Mock-heroic, Revenge tragedy, Mario Praz, Beelzebub, Mephistopheles, Arianism, Heresy in Christianity, Theodicy, Lucifer and Prometheus, Felix culpa, Satan, The Pursuit of the Millennium, Ridicule, Quibble (plot device), Juvenal, Poetry, Valentinian (play), God, Lactantius, Puritans, Prometheus Unbound (Shelley), Romanticism, Søren Kierkegaard, Faust, Manichaeism, The Political History of the Devil, Christian mortalism, The Marriage of Heaven and Hell, Apocalypticism, Odysseus' scar (Auerbach), Theology, Contra Celsum, Warfare, Reprobation, Protevangelium, Fraticelli, Church Fathers, Laocoön, Paradise of Fools, Gematria, Satanism, Samson Agonistes, William Ames, Castration anxiety