The Syntax of Class

Writing Inequality in Nineteenth-Century America

Amy Schrager Lang

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft

Beschreibung

The Syntax of Class explores the literary expression of the crisis of social classification that occupied U.S. public discourse in the wake of the European revolutions of 1848. Lacking a native language for expressing class differences, American writers struggled to find social taxonomies able to capture--and manage--increasingly apparent inequalities of wealth and power.


As new social types emerged at midcentury and, with them, new narratives of success and failure, police and reformers alarmed the public with stories of the rise and proliferation of the "dangerous classes." At the same time, novelists as different as Maria Cummins, Nathaniel Hawthorne, Frank Webb, Elizabeth Stuart Phelps, and Horatio Alger Jr. focused their attention on dense engagements across the lines of class. Turning to the middle-class idea of "home" as a figure for social harmony and to the lexicons of race and gender in their effort to devise a syntax for the representation of class, these writers worked to solve the puzzle of inequity in their putatively classless nation. This study charts the kaleidoscopic substitution of terms through which they rendered class distinctions and follows these renderings as they circulated in and through a wider cultural discourse about the dangers of class conflict.


This welcome book is a finely achieved study of the operation of class in nineteenth-century American fiction--and of its entanglements with the languages of race and gender.

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Amy Schrager Lang

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Schlagwörter

Feminism, W. E. B. Du Bois, Laborer, Superiority (short story), Sensibility, Class Warfare, Class conflict, Nobility, Oppression, Rebecca Harding Davis, Bourgeoisie, African Americans, Modesty, Slavery, Self-sufficiency, Economic inequality, Horatio Alger, Residence, Working class, Americans, Domestic worker, Literary criticism, Ragged Dick, Gentlewoman, Narrative, Social class, Mr., Theft, Social order, American middle class, Harriet Beecher Stowe, Wai Chee Dimock, Effeminacy, Underclass, Writing, Racism, Individualism, Mrs., Sobriquet, Project, Wage slavery, Class consciousness, Pity, Wealth, Homelessness, Middle class, Same-sex relationship, Ideology, Homosociality, Life in the Iron Mills, The House of the Seven Gables, Household, Public sphere, Poverty, Novelist, Abolitionism, Proletarianization, Novel, Economic mobility, Identity (social science), Prejudice, Sexism, Book, Nathaniel Hawthorne, Black people, Uncle Tom, Femininity, Our Nig, Upper class, Exclusion