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Pierrot

A Critical History of a Mask

Robert F. Storey

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Princeton University Press img Link Publisher

Sozialwissenschaften, Recht, Wirtschaft / Politikwissenschaft

Beschreibung

Robert Storey's lively and gracefully written study of Pierrot is the first scholarly history of this fascinating popular figure. Unlike previous studies of commedia dell'arte characters; this book focuses as much on Pierrot as a literary metaphor and mask as on the roles and dimensions of his stage character.

Originally published in 1978.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Harlequin, Tiberio Fiorilli, Harlequinade, Clown, Valet, Poetry, High Spirits (musical), Carlo Goldoni, Charades, Farce, Gillot (playwright), Mime artist, Romanticism, À rebours, Caliban, Charles Nodier, The Miser, Lazzi, Charles Deburau, Zanni, Bergamask, Paul Legrand, Revue, Pierrot, In Town (musical), W. H. Auden, Satire, Pedrolino, Brighella, Weltschmerz, Polonius, Sacha Guitry, Jean Richepin, Charles Baudelaire, The Comic, Pantomime, Mr., The Merry Wives of Windsor, Scaramouche (novel), T. S. Eliot, Molière, Misery (novel), Zingari, Don Juan, Champfleury, The Valet, Pantalone, La mer (Debussy), Aestheticism, Moonstruck, Anthony Burgess, Soliloquy, On the Eve, Parody, Jean-Gaspard Deburau, Faust, Cercle Funambulesque, My Reputation, Jester, William Shakespeare, Scaramouche, Jules Laforgue, Ibid (short story), Victor Hugo, Pulcinella, Ridicule, Scapino, Commedia dell'arte, Wallace Stevens, Guillaume Apollinaire