Shelley's CENCI
Stuart Curran
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Belletristik / Dramatik
Beschreibung
Shelley's tragedy, The Cenci, has been regarded as an avant-garde attack on orthodox Christian principles, a celebrated cause for Victorian intellectuals, a vehicle for innovative minds of the theater, a historical oddity, a neglected masterpiece. Derived from the dark legends of one of Rome's great families, the Cenci records a history of sadism, incest, and murder.
Shelley's one actable play has received little attention in modern times. Professor Curran studies it first as a poem-its patterns, themes, imagery-then as a play. After showing its relationship to England's Regency theater, he analyzes the fascinating course of its stage history, and finds Shelley foreshadowing such modern emphases as psychodrama, the existential vision, the Theatre of Cruelty.
Originally published in 1970.
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Edmund Kean, Sturm und Drang, Jean Genet, Playwright, Gertrude and Claudius, Walter Savage Landor, Excursus, Prometheus Unbound (Shelley), Ridicule, Torture chamber, Mary Shelley, Sentimental comedy, Poetic diction, Antonin Artaud, Adam's Curse (poem), Beatrice Cenci, A New Way to Pay Old Debts, King Lear, Closet drama, Michel de Ghelderode, Don Giovanni, The White Devil, V., Despair (novel), Thomas Love Peacock, Marquis de Sade, Faust, Prometheus Unbound (Aeschylus), Domestic tragedy, Problem play, Molière, Brief Encounter, Poetic contraction, Robert Browning, Horace Walpole, Shylock, Tragedy, Melodrama, Louis Jouvet, Sybil Thorndike, Parody, Conflict between good and evil, Demogorgon (Dungeons & Dragons), Grand Guignol, Criticism, Percy Bysshe Shelley, The Theatre and its Double, Zastrozzi, Polonius, Black Mass, Edward Albee, Medusa's Head, The Cenci, Irony, Blank verse, G. Wilson Knight, William Shakespeare, Robert Edmond Jones, Shakespearean tragedy, Pictures from Italy, Romanticism, Poetry, Legitimate theater, Political satire, Lord Byron, Paul Fort, Plagiarism, Soliloquy, Negative capability, Mortal sin