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Lucifer in Harness

American Meter, Metaphor, and Diction

Edwin S. Fussell

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft

Beschreibung

For nearly two hundred years the rebellious American poet has been reluctantly harnessed to the English language and literary tradition. In a triptych of essays, Edwin Fussell attempts "to explore the fundamental dilemma of American poetry as it appears in the three crucial fields of meter, metaphor, and poetic diction, the three crucial fields of American poetry (taken as a whole) most studiously avoided by American scholars, but not, as I intend to show, by American poets."

Writing in a provocative critical style attuned to the poets he discusses, Edwin Fussell explores the dilemma of the American poet who wants to write a distinctly "American" poetry but must do so in a language imbued with the sensibility of English poetry and culture. Because these are different from and sometimes antithetical to American cultural ideals and commitments, the harness chafes. The emphasis is on those poets who have successfully created a truly American poetry—Poe, Whitman, Pound, Eliot, and Williams—but the author also discusses Hart Crane, Wallace Stevens, Emerson, Bryant, Lowell, and Frost, among others.

Originally published in 1973.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Contrapasso, Lyrical Ballads, Parody, Sestina, The Faerie Queene, Poetry, The Love Song of J. Alfred Prufrock, Waldo Frank, No Longer at Ease, William Carlos Williams, Charles Olson, Ezra Pound, Emily Dickinson, Melange (fictional drug), American poetry, Palgrave's Golden Treasury, Blank verse, Memoir, The Philosophy of Composition, A Handful of Dust, Simile, The City in the Sea, A Fable for Critics, Hart Crane, Lord Weary's Castle, Rhyme, Ralph Waldo Emerson, Thanatopsis, Critical Essays (Orwell), V., Out of the Cradle Endlessly Rocking, Wallace Stevens, Drum-Taps, William Shakespeare, Poetic diction, Grub Street, John Berryman, The Broken Tower, John Addington Symonds, The Cantos, The New Poetry, Couplet, Pun, Conceit, Futility (poem), Sea Surface Full of Clouds, Theocritus, Arnaut Daniel, Imagism, Meistersinger, Metonymy, American humor, Austen, The Hollow Men, Divine Comedy, Pervigilium Veneris, Antithesis, Internal rhyme, Robert Frost, Edgar Allan Poe, John Crowe Ransom, Dante Alighieri, Evangeline, The Waste Land, English poetry, H. L. Mencken, James Russell Lowell, The Conqueror Worm, When Lilacs Last in the Dooryard Bloom'd, Ulalume