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Giono

Master of Fictional Modes

Norma Lorre Goodrich

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Beschreibung

Since his death in October 1970, Jean Giono's reputation as a major French novelist has steadily increased. In order to treat most powerfully the essential nature of modern man confronted with the worst problems of the twentieth century, he adapted into prose the tried and true literary modes: the epic, the pastoral, Greek tragedy, Shakespearean tragedy, and autobiography. In Giono's work the old modes and familiar forms continue to fulfill the age-old functions of great literature: we see the Christian epic suddenly made relevant to everyday life or the pagan epic re-explain modern male savagery. In Giono's hands the novel explains man to himself, shows man more clearly the world about him, and offers to men everywhere renewed courage and hope.

Originally published in 1973.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Superiority (short story), Theodore Dreiser, Victor Hugo, Tristan Tzara, G. (novel), Émile Zola, Novelist, Pity, Prometheus, Ridicule, John of Patmos, Castor and Pollux, Jean Giono, Claude Mauriac, Ahab, Dictee, Albert Camus, Blind Chance, Horace Walpole, Søren Kierkegaard, Edgar Allan Poe, Revenge tragedy, The Loneliness of the Long Distance Runner, V., Aeschylus, August Heat (short story), Richard Aldington, Gabriel Marcel, John Steinbeck, Bertolt Brecht, William Styron, Bildungsroman, Gothic fiction, Mark Twain, Parzival, Damocles, Picaresque novel, The Plague, Tragedy, Georges Bernanos, Don Giovanni, Novel, The Other Hand, Sherwood Anderson, Le Figaro, Rutebeuf, Dieu, Autobiography, D. H. Lawrence, New Arabian Nights, William Saroyan, Roger Martin du Gard, Shakespearean tragedy, Lactantius, L'Age d'Or, God Knows (novel), Hyman, Lycaon (Arcadia), Poetry, Gargantua and Pantagruel, Lord Byron, On the Eve, Ibid (short story), Warfare, Sartoris, Cyril Tourneur, Murder in the Cathedral, Cataclysm (Dragonlance), Israel Potter, Robinson Crusoe