Hymns and Fragments
Friedrich Hölderlin
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Belletristik / Lyrik, Dramatik
Beschreibung
An annotated bilingual edition of Hölderlin’s radical and influential late poetry
Despite his influence on such figures as Nietzsche, Rilke, Heidegger, and Celan, Friedrich Hölderlin (1770–1843) is only now being fully appreciated as perhaps the first great modern of European poetry. Drawing on the most recent scholarship, this annotated translation conveys the radical idiom and vision that continue to make him a contemporary. Richard Sieburth includes almost all Hölderlin’s late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity.
Sieburth’s critical introduction discusses the poet’s career, assesses his role as the link between classicism and romanticism, and explores Hölderlin’s ongoing importance to modern poetics and philosophy. Annotations explicate the individual poems, a number of which are translated into English for the first time.
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Walter Benjamin, Edmund Keeley, Aphorism, T. S. Eliot, Martin Heidegger, God, His Family, Tragedy, Bread and Wine (novel), Bettina von Arnim, Dionysus, Apollo, M. H. Abrams, Poetry, Greek mythology, Peter Weiss, Pun, On the Eve, Disjecta (Beckett), German literature, Alcaic stanza, Geoffrey Hartman, Supplication, Imagism, George Steiner, Dionysius of Halicarnassus, Hubris, Strophe, Michael Hamburger, John of Patmos, Kubla Khan, Prometheus Bound, Demogorgon (Dungeons & Dragons), Ezra Pound, On Religion, Aeschylus, Castor and Pollux, Postmodernism, God is dead, Swabian League, Frederick Turner (poet), Sturm und Drang, Native ground, Travels (book), Surrealism, Kitsch, Pope Gregory VII, David Gascoyne, Sophocles, Parody, Rainer Maria Rilke, Cubism, Ulrich, Greek name, Hannah Arendt, The Various, Arminius, Romanticism, Guido Gozzano, Johann Wolfgang von Goethe, Edwin Muir, God Knows (novel), Canossa, Conradin, Antithesis, Landgrave, Eleuther, Fire from Heaven, I Wish (manhwa), Swabia