In This Remote Country
Edward Watts
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The University of North Carolina Press
Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft
Beschreibung
When Anglo-Americans looked west after the Revolution, they hoped to see a blank slate upon which to build their continental republic. However, French settlers had inhabited the territory stretching from Ohio to Oregon for over a century, blending into Native American networks, economies, and communities. Images of these French settlers saturated nearly every American text concerned with the West. Edward Watts argues that these representations of French colonial culture played a significant role in developing the identity of the new nation.
In regard to land, labor, gender, family, race, and religion, American interpretations of the French frontier became a means of sorting the empire builders from those with a more moderate and contained nation in mind, says Watts. Romantic nationalists such as George Bancroft, Francis Parkman, and Lyman Beecher used the French model to justify the construction of a nascent empire. Alternatively, writers such as Margaret Fuller, Henry Wadsworth Longfellow, and James Hall presented a less aggressive vision of the nation based on the colonial French themselves. By examining how representations of the French shaped these conversations, Watts offers an alternative view of antebellum culture wars.
Kundenbewertungen
masculinity, Henry Wadsworth Longfellow, Lyman Beecher, New France, antebellum America, Manifest Destiny, Timothy Flint, James Hall, Upper Louisiana, postcolonial, Henry Marie Brackenridge, Margaret Fuller, Eliza Sheldon, James Fenimore Cooper, Richard Hildreth, William Warren, nativism, John Reynolds, Henry Rowe Schoolcraft, Juliette Kinzie, settler identity, voyageur, Francis Parkman, George Bancroft, ribbon farms, fur trade, Lewis and Clark