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Charley Patton

Voice of the Mississippi Delta

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University Press of Mississippi img Link Publisher

Geisteswissenschaften, Kunst, Musik / Musik

Beschreibung

Blues Book of the Year
—26th Annual Living Blues Awards

Contributions by Luther Allison, John Broven, Daniel Droixhe, David Evans, William Ferris, Jim O'Neal, Mike Rowe, Robert Sacré, Arnold Shaw, and Dick Shurman

Fifty years after Charley Patton's death in 1934, a team of blues experts gathered five thousand miles from Dockery Farms at the University of Liege in Belgium to honor the life and music of the most influential artist of the Mississippi Delta blues. This volume brings together essays from that international symposium on Charley Patton and Mississippi blues traditions, influences, and comparisons. Originally published by Presses Universitaires de Liège in Belgium, this collection has been revised and updated with a new foreword by William Ferris, new images added, and some essays translated into English for the first time.

Patton's personal life and his recorded music bear witness to how he endured and prevailed in his struggle as a black man during the early twentieth century. Within this volume, that story offers hope and wonder. Organized in two parts—“Origins and Traditions” and “Comparison with Other Regional Styles and Mutual Influence”—the essays create an invaluable resource on the life and music of this early master. Written by a distinguished group of scholars, these pieces secure the legacy of Charley Patton as the fountainhead of Mississippi Delta blues.

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Schlagwörter

Biography, Robert Johnson, B.B. King, Pea Vine Blues, Will Dockery, Eddie James “Son” House, Jr., Bessie Turner, I’m Going Home, Willie Brown, Mississippi Boweavil Blues, Muddy Waters, Chester “Howlin’ Wolf” Burnett, David Evans, Music, Jimmy Reed, musician, twentieth century, African American Studies, Chicago, Tom Rushing, Magnolia Blues, Lord, I’m Discouraged, Hammer Blues, John Fahey, Father of the Delta Blues, Gayle Dean Wardlow, Joe Kirby, Delta Blues, Willie Johnson, I Shall Not Be Moved, guitar, Mean Black Moan, Pony Blues, Screamin’ and Hollerin’ the Blues, Henry “Son” Sims