Leseprobe
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Comic Art in Museums
Kim A. Munson (Hrsg.)
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University Press of Mississippi 
Sozialwissenschaften, Recht, Wirtschaft / Medienwissenschaft
Beschreibung
Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe
Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums.
Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally.
With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of “good art”—displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.
Kundenbewertungen
Gary Panter, Manga Museum, Carol Tyler, International Museum of Cartoon Art, Maus, National Cartoonist Society, Jonah Kinigstein, critic, Pierre Couperie, High and Low, comics as art object, Milton Caniff, Cartoon Museum UAE, SOCCERLID, Dream Machine, Trina Robbins, exhibit, Mort Walker, comics, The Comic Art Show, Will Eisner, criticism, Krazy Kat, Jack Kirby, American Cartooning, valuation of comics, Museum of Sex, Masters of American Comics, history, AIGA, Art Spiegelman, Denis Kitchen, Black Panther, Toonseum, Brian Walker, Metropolitan Museum of Art, Comics Stripped, R Crumb Genesis, Snow White, Hammer Museum, Misfit Lit, Roy Lichtenstein, Walt Disney, gallery comics, Cartoon Art Museum