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Bandits, Misfits, and Superheroes

Whiteness and Its Borderlands in American Comics and Graphic Novels

Josef Benson, William Singsen

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University Press of Mississippi img Link Publisher

Sozialwissenschaften, Recht, Wirtschaft / Medienwissenschaft

Beschreibung

Shortlisted Finalist for the 2023 Eisner Award for Best Academic/Scholarly Work

American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations.

Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways.

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Schlagwörter

Chris Ware, Jewish exceptionalism, Frederic Wertham, Frank Miller, western comics, Jessica Abel, Sin City, Black Captain America, Art Spiegelman, Will Eisner, Angelfood McSpade, Holy Terror, Marvel’s Civil War, Superman, The Dark Knight Returns, Gilbert and Jaime Hernandez, Harvey Pekar, Watchmen, Ben Passmore, American Western, underground comix, Marvel Comics, Yellow Peril, Stan Lee, Your Black Friend, Racial borderlands, White Indian, Ta-Nehisi Coates, civil rights, Ku Klux Klan, Ms. Marvel, white superhero, Alan Moore, black nationalism, Batman, Green Lantern, Iron Man, DC Comics, EC Comics, jungle comics, Aline Kominsky-Crumb, 300, Captain America, Isaiah Bradley, alternative comics, Robert Crumb, Critical race theory