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The Comic Book Film Adaptation
Liam Burke
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University Press of Mississippi 
Sozialwissenschaften, Recht, Wirtschaft / Medienwissenschaft
Beschreibung
In the summer of 2000
X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors,
The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production.
Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before.
The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.
Kundenbewertungen
Thomas Leitch, superheroes, Iron Man, Martin Campbell, CGI, Fantastic Four, Tim Story, Batman, Sin City, graphic narrative, computer-generated imagery, Blade, Watchmen, Warren Beatty, Marvel Cinematic Universe, Alan Moore, Michael Cohen, Creepshow, Scott Pilgrim vs. the World, Henry Jenkins, Marc Webb, Stan Lee, David Bordwell, Hellboy, The Dark Knight, Mark Waid, Spider-Man, Smallville, Daredevil Steven Johnson, Scott McCloud, X-Men, Adventures of Tintin: The Secret of the Unicorn, Christopher Nolan, motion pictures, Joss Whedon, The Amazing Spider-Man, fidelity, Grant Morrison, Man of Steel, Steven Spielberg, The Incredible Hulk, Green Lantern, Hollywood, Stephen Norrington, Guillermo del Toro, Dick Tracy, Comics Studies, Robert C. Harvey, The Matrix, Catwoman, Frank Miller, Robert Rodriguez, Thor, bullet-time, DC Comics, Zack Snyder, filmmaking, Dennis O’Neil, Captain America, 300, Jon Favreau, The Avengers, Superman, Louis Leterrier, George A. Romero, Will Eisner, Edgar Wright, Kenneth Branagh, Michael E. Uslan, continuity, 9/11, Joker, Ian Gordon, Scott Bukatman, Sam Raimi, Marvel, Ang Lee, Richard Donner, Wachowskis, graphic novel, Film Studies, aesthetic, Kick-Ass, Joel Schumacher, Time Burton, movies, graphiation, Hulk, Matthew Vaughn