Leseprobe
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Film as Embodied Art
Maarten Coëgnarts
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Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity.
Kundenbewertungen
Eyes Wide Shut, aesthetics, semiotics, philosophy, psychoanalysis, film scores, embodied meaning, artistic intention, cognitive linguistics, Stanley Kubrick, directing, 20th century film, 2001: A Space Odyssey, cinema studies, communication, evolutionary theory, perception, screenwriting, Barry Lyndon, twentieth century film, filmmaking, The Shining, metaphor, music, cognitive film theory, film semiotics, film studies, Paths of Glory, film, embodied cognitive science, methodology, film as language