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The Orange Balloon Dog

Bubbles, Turmoil and Avarice in the Contemporary Art Market

Don Thompson

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ca. 25,99
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Sozialwissenschaften, Recht, Wirtschaft / Einzelne Wirtschaftszweige, Branchen

Beschreibung

"Really good. Highly recommended." Andrew Marr, Radio 4: Start the Week

From the author of the internationally bestselling The $12 Million Stuffed Shark comes a fresh and provocative look at the high-end art market and whether it is a bubble about to burst. Within forty-eight hours in the autumn of 2014, buyers in the Sotheby’s and Christie’s New York auction houses spent $1.7 billion on contemporary art. Economist and bestselling author Don Thompson cites this and other fascinating examples to explore the sometimes baffling activities of the high-end contemporary art market, examining what is at play in the exchange of vast amounts of money and what nudges buyers, even on the subconscious level, to imbue a creation with such high commercial value. Thompson analyses the behaviours of buyers and sellers and delves into the competitions that define and alter the value of art in today’s international market, from New York to London, Singapore to Beijing. Take heed if your fortunes are tied up in stainless steel balloon dogs – Thompson also warns of a looming bust of the contemporary art price balloon. A fascinating explanation, through the field of behavioural economics, for the phenomena that is behind the incredible value of contemporary art.

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Schlagwörter

Koons, Jackson Pollock, art market, british art galleries, collectors, modern art marketing, art dealerships, contemporary artists, Halcyon, economics of art and culture, auction, Andy Warhol, drip painting No.5, business of art, Lisson, Astrup Fearnley, gallery owners, Damien Hirst, contemporary art world, artists, Pollock, Tracey Emin, art and money, art fair organizers, rich artists, Christie's, modern art, economics of art, painting, contemporary art, british art, Warhol, curators, Gagosian, White Cube gallery, international art market, the Whitney Museum, Charles Saatchi, finance, Art, whitechapel gallery, White Cube, economics of modern art, high earning artists, auctioneers, art and business, contemporary art market, Turner, Louis Vuitton, billionaire art buyers, Jeff Koons, Hirst, marketing of modern art, print, art buyers, gallery, freakonomics, auction houses, dealers, tate modern, Saachi, money, taste makers, MOMA, artists reputation, modern art world, Sotheby's, Guggenheim, Charles Saatchi' s Midas touch, modern art expose, saatchi gallery, Tate, collage, modern artists, Yayoi Kusama, art deals, economics of contemporary art, economics, Jackson Pollock' s drip painting No.5, art branding, billionaire art deals